Description: Just two days ago, the Smithsonian celebrated the one-year anniversary of the opening of the National Museum of African American History and Culture (NMAAHC). It seems like just yesterday that we were all waiting for the doors to open; yet, so much has happened in the past year. Since President Barack Obama rang the bell that opened the museum, long lines and happy faces are
Description: Before becoming the Director of the Diné College Museum in Arizona, Harry Walters spent three months at the Smithsonian learning techniques for the care and handling of artifacts, including their identification, description, conservation, storage, and exhibition.
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
Description: Senior Curator and Historian Portia James (1953-2015) pioneered a community-based approach at the Anacostia Community Museum and led the exhibitions, publications and collections programs. She researched African American material culture. #Groundbreaker
Description: [caption id="attachment_7461" align="aligncenter" width="369" caption="Construction of the National Museum of the American Indian, July 2003, digital photograph, Smithsonian Institution Archives, Accession 06-012, Box 24, Folder NMAI Construction-July 2003, Folder CD_1, # U.jpg."] [/caption] At the Archives, we’ve recently begun working with some digital files of architectural
Description: As editor E. E. Slosson began setting up the Science Service news office, his mail was flooded with inquiries from potential contributors. Writers and photographers described their accomplishments and submitted samples of their work. One such letter, from Albert Harlingue on April 13, 1921, must have piqued Slosson’s interest, for it coincided with the Washington visit of “a
Description: [edan-image:id=siris_sic_9246,size=500,center]THE BIGGER PICTURE's “Wonderful Women Wednesday” series profiles the female curators, directors, and research scientists who have risen to prominence in their careers at the Smithsonian.These stories of broken glass ceilings are fascinating, but they barely scratch the surface of the Smithsonian’s female workforce through the
Description: “Can a Rattlesnake hypnotize a Pine Mouse to death”? Questions from a typical day of treatment for a Pre-Program Paper Conservation Intern.
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