Description: [caption id="" align="aligncenter" width="400" caption="Three exhibit workers, Harry C. Harden kneeling, Charles R. Aschemeier standing left and Watson M. Perrygo standing on ladder, preparing the White-tailed Deer in Cypress Swamp group during the Exhibits Modernization Program in the National Museum of Natural History (NMNH), during the 1950s, by Unidentified photographer,
Description: [caption id="" align="aligncenter" width="405" caption="Larry Hagman, from the television show "Dallas," presented Carl Scheele, Curator of National Museum of American History's Division of Community Life with his hat from the television show in the Cannon House Office Building caucus room, February 28, 1984, by Jeffrey Ploskonka, Photographic print, Smithsonian Institution
Description: [caption id="" align="aligncenter" width="254" caption=""Kermit the Frog" is unpacked from his shipping crate at the Los Angeles Convention Center. The Convention Center was the first stop of the "America's Smithsonian" exhibition national tour celebrating the Smithsonian's 150th anniversary, 1996, by Hugh Talman, Photographic print, Smithsonian Institution Archives, Accession
Description: Nearly four months into Smithsonian’s extended telework period, we thought it would be fun to share which skills and hobbies have been getting us through this overwhelming time.
Description: Rube Goldberg, the subject of a 1970 exhibition at the National Museum of American History, produced thousands of drawings and comic strips, as well as, films, photographs, and over-the-top machines. A true celebrity in his time, Goldberg set standards in political cartooning and contributed to the development of thousands of extravagant and entertaining contraptions that have
Description: Long ago and far away, before gray hairs and creaky knees, before history became my passion, I was an undergraduate physics major. Physics seemed fascinating and beautiful, if difficult. Later, after career paths led into history and science policy, I learned that physics, however elegant, did not reside in a cultural vacuum. Its people and discoveries coexisted with
Description: I cannot, I feel, have any regrets about my accomplishments. What comes from art will just come. I don’t feel any need to strive. - John N. Robinson One of my favorite parts of working in an archive is the opportunity to immerse myself in other people’s worlds, to learn more about their stories and experiences. One such person I encountered recently was John N. Robinson, a
Description: The story of the damage context and advanced treatment of a Stivenson Magloire painting broken into fragments by the 2010 Haiti earthquake.
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
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