Description: During planning of the future National Museum of American History, Webb and Knapp attempted to move it off the Mall into Southwest Washington.
Description: As National Museum of African American History and Culture opens, let’s look at the first efforts to establish a National African American Museum.
Description: On the evening of October 1, 1847, while using a small telescope on the roof of the family home, Maria Mitchell (1818-1889) spotted a comet where one had not been before. Word of this achievement spread quickly through the scientific community. The American Journal of Science declared her “the first American entitled to the honor of the original discovery of a comet.” Some
Description: [caption id="attachment_12162" align="aligncenter" width="384" caption="A participant discusses a lock of hair from a member of her family with NMAAHC staff at a Save Our African American Treasures event held in Detroit, Michigan, by Michael Barnes, Courtesy of The Smithsonian's National Museum of African American History and Culture."][/caption] [caption
Description: It was, most likely, a foggy day in Oakland in 1882 when Miss Adelia Gates crossed the intersection of 12th and Washington streets and approached the Lemmon Herbarium.At 57, Adelia Gates was an accomplished artist and well-accustomed to new situations. She’d traveled alone to Scandinavia, Mallorca, Italy, and Algeria, and she’d lived in Switzerland while studying watercolor
Description: [caption id="" align="aligncenter" width="284" caption="Pauline Gracia Beery Mack (1891-1974), by Underwood & Underwood, Date unknown, Black and white photographic print, Smithsonian Institution Archives, Acc. 90-105 - Science Service, Records, 1920s-1970s, SIA Acc. 90-105 (SIA-SIA2008-5750)."][/caption] For the month of March, the Smithsonian Institution Archives will be
Description: Roslyn A. Walker was the Director of Smithsonian’s National Museum of African Art from 1997 to 2002. Under her leadership, the Museum welcomed a new permanent gallery for contemporary art, a development office, and the Friends of African Art support committee. From 1981 until her appointment, Walker had worked at the Museum as a curator, specializing in Nigerian art.