Description: On Monday, October 27th, four of our finest were available on the Smithsonian's Facebook page to answer questions about preserving your own archival collections. The four archivists at the Q&A have specialties in the preservation and organization of audio/visual material, photos, and digital records (email, digital video, etc.) This is our fourth year hosting this event and
Description: Oh those adorable/creepy Medieval beasts...[via Hyperallergic]Did you miss the Society of American Archivists annual conference? The proceedings are now available for a modest fee! [via SAA]Brought to you by the Smithsonian Astrophysical Observatory, track the solar eclipse with their new app. [via Smithsonian Associates]Kind of irresistible: Legos of retro technology. [via
Description: In September 1989 the Smithsonian sponsored a discussion between scientists and journalists about how the media can responsibly report on environmental issues.
Description: [caption id="" align="alignright" width="221" caption="At the turn of the century, visitors are entering and leaving the United States National Museum Building, now Arts and Industries Building, via the North Entrance, c. 1900, by Unidentified photographer, Photographic print, Smithsonian Institution Archives Record Unit 95 Box 32 Folder 8, Negative Number:
Description: This is the latest post in our "Hot Topix" series. In each quarterly edition we show you what the reference team has been up to, and bring you some of the more notable inuqires we have received.Vicarious research is one of the great joys of the reference desk at the Smithsonian Institution Archives. From our front-row (well, only-row) seat outside the reading room, we catch
Description: [caption id="" align="aligncenter" width="287" caption="Eugene Behlan, chief of National Museum of Natural History Office of Exhibits, with a mannequin before the opening of "Western Civilization: Origins and Traditions," 1978, by Richard K. Hofmeister, Photographic print, Smithsonian Institution Archives, Record Unit 371 Box 2 Folder July 1978, Negative Number:
Description: [caption id="" align="aligncenter" width="259" caption="James Buckler, Michele Sensourinh and Gail Ufford of the Office of Horticulture, counting pennies thrown into the Arts and Industries Foley Fountain, 1976, by Richard K. Hofmeister, Photographic print, Smithsonian Institution Archives, Record Unit 371 Box 2 Folder October 1976, Negative Number: 94-13204."][/caption]
Description: Have a little fun with images from our collections that have been designated as open access. Anyone can now download, transform, share, and reuse millions of images as part of Smithsonian Open Access.
Description: [caption id="" align="aligncenter" width="405" caption="Larry Hagman, from the television show "Dallas," presented Carl Scheele, Curator of National Museum of American History's Division of Community Life with his hat from the television show in the Cannon House Office Building caucus room, February 28, 1984, by Jeffrey Ploskonka, Photographic print, Smithsonian Institution
Description: [caption id="" align="aligncenter" width="416" caption="Office of Exhibits Central staffers (l-r) Ben Snouffer, Rosemary Regan, and Harold Campbell pose for with the mannequins that were modeled after them in the National Museum of American History's (NMAH) "Engines of Change" exhibit, 1987, by Eric Long, Photographic print, Smithsonian Institution Archives, Record Unit 371
Description: In 2016 Lonnie G. Bunch donated his personal papers to the Smithsonian Institution Archives. The collection covers a wide variety of topics and spans the breath of Bunch's career from being an Education Specialist at the National Air and Space Museum to being Founding Director of the National Museum of African American History and Culture.
Description: This post is the second in a series this month that honors the anniversary of the famous Scopes Trial, held in Tennessee from July 10–21, 1925, and highlights a set of rare and newly digitized photographs, from the Smithsonian Institution Archives, of witnesses at the trial collections, which have been added to the Smithsonian Flickr Commons. In tone, composition, and setting,
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