Description: Wonder Woman 1984 features fictional Smithsonian women in science trying to change the world. Let’s examine how real-life women pushed for change at the Smithsonian in the 1970s and created new opportunities for women at work.
Description: [caption id="" align="alignright" width="186" caption="Waistcoat, France, 1790, Silk embroidery on silk plain weave, linen back, 60 x 50 cm (23 5/8 x 19 11/16 in.), Cooper-Hewitt, National Design Museum, Smithsonian Institution, Bequest of Richard Cranch Greenleaf in memory of his mother, Adeline Emma Greenleaf, Photo: Steve Tague, Courtesy of the Cooper-Hewitt
Description: Curator Adelyn Breeskin, National Museum of American Art (now Smithsonian American Art Museum), was one of the 1st women to direct a major art museum (Baltimore Museum of Art) and was a champion of obscure artists in the contemporary art world. #Groundbreaker
Description: Curator emeritus of Political History, Edie Mayo, Smithsonian’s National Museum of American History, was a longtime advocate for women’s representation in history - “visibility in the past equals empowerment in the future.” #Groundbreaker
Description: A daily photo highlight from Smithsonian collections. [caption id="" align="aligncenter" width="442" caption="Visit of Muhammad Ali to the National Museum of History and Technology, now the National Museum of American History, March 17, 1976, when he donated a pair of gloves and a robe to the museum for the "Nations of Nations" exhibition, 1976, Richard K. Hofmeister,
Description: [caption id="" align="aligncenter" width="253" caption="Edgar A. Mearns, an ornithologist, research associate, and honorary associate in zoology, with the United States National Museum, now known as the National Museum of Natural History, was one of three naturalists from the National Museum chosen go on the Smithsonian-Roosevelt African Expedition with Theodore Roosevelt to
Description: [caption id="" align="aligncenter" width="237" caption="This is America...Keep it Free!, Dorothea Lange, 1942, National Museum of American History, Kenneth E. Behring Center, Archives Center."][/caption] More cameras in more places. A couple of weeks ago, I wrote about the installation of red light cameras and the controversy surrounding their use that’s continuing to spread
Description: [caption id="" align="aligncenter" width="313" caption="Georgia O'Keefe at the Hirshhorn Museum and Sculpture Garden (HMSG) with Rene Magritte's sculpture "Delusions of Grandeur," 11 November 1977, by Richard Farrar, Photographic print, Smithsonian Institution Archives, Record Unit 371 Box 2 Folder December 1977, Negative Number: 92-1789."][/caption] It is always fascinating