Description: In honor of Women’s History Month, we’d like to revisit an important and inspiring exhibition circulated by the Smithsonian Institution Traveling Exhibition Service (SITES) in 1961. “The Magnificient Enterprise: Education Opens the Door” was a photographic exhibition based on the 100 years of higher education for women. Sponsored by Vassar College in observance of its
Description: [caption id="" align="aligncenter" width="350" caption="Photo shoebox upset, by Stephen Cummings, Creative Commons: Attribution 2.0."][/caption] I recently took a position as photograph archivist at the Smithsonian Institution Archives and hope to be able to share through this blog some of the processes we are undertaking to make our photographic collections more useful and
Description: Photographer, Jessie Cohen, Smithsonian's National Zoo, worked for nearly 30 years patiently and sensitively photographing the animals while also managing the Zoo's photo collection which consists of thousands of images, from glass plate negatives to digital. #Groundbreaker
Description: Original library in the Northwest Range of the Arts and Industries Building, converted to office space, by Jack Scott, September 1971, SIA Acc. 11-009, 71-1918.
Description: From 1967 to 1991, Mary E. Massey broke barriers for women at the Smithsonian by demonstrating her skills in spaces typically reserved only for men. Though Massey arrived at the Smithsonian as an elevator operator, by her retirement, she was the building manager for the Smithsonian American Art Museum and the National Portrait Gallery. In a column reserved for the Smithsonian
Description: In their efforts to document the history of computing at the Smithsonian, volunteers are interviewing former staff to preserve their stories and experiences. Ching-hsien Wang was a force that helped libraries and archives make their collections accessible online and here are some early excerpts from our interview with her.
Description: I cannot, I feel, have any regrets about my accomplishments. What comes from art will just come. I don’t feel any need to strive. - John N. Robinson One of my favorite parts of working in an archive is the opportunity to immerse myself in other people’s worlds, to learn more about their stories and experiences. One such person I encountered recently was John N. Robinson, a
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