Description: [caption id="" align="aligncenter" width="300" caption=""EXIT" sign in the Smithsonian Institution Building (i.e. "The Castle Building"), by Adam Gerard, Creative Commons: Attribution BY-NC-SA 2.0."][/caption] We agree, Adam! The Smithsonian “Castle” takes the cake for vintage details. Via @voteprime on Twitter: “I am fascinated by this EXIT sign I saw at the Smithsonian
Description: [caption id="" align="aligncenter" width="344" caption="Fremont Davis (1915-1977) was a staff photographer for Science Service, Date unknown, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Acc. 90-105 - Science Service, Records, 1920s-1970."][/caption] It's always satisfying to put a big check mark next to a completed task, and this month
Description: Anthropologist & educator Dr. Johnnetta Cole was director of the Smithsonian's National Museum of African Art from 2009–2017, and the only person to have served as president of two historically Black colleges for women in the U.S., Spelman and Bennett. #Groundbreaker
Description: Mummy and sarcophagus found in Luxor, Egypt for exhibit of Biblical Antiquities at the Cotton States and International Exposition, Atlanta, Georgia, 1895, MNH-3552.
Description: Curator Claudia Kidwell, Smithsonian's National Museum of History and Technology (now American History), started as an intern in 1961, became Curator of Costume after finishing her degree, and Acting Director of the entire museum in 1979!
Description: Janet Douglas, Head of Technical Studies at the Smithsonian Museum Conservation Institute, studies works of art and archaeology especially inorganic materials such as stone, jade, and metal. #Groundbreaker
Description: Jessica S. Johnson, Head of Conservation, Smithsonian's Museum Conservation Institute, focuses on conservation of archaeological field objects and helped establish the Iraqi Institute for the Conservation of Antiquities and Heritage. #Groundbreaker
Description: The Smithsonian American Art Museum (SAAM) has undergone many name changes over the years. One of these – the National Collection of Fine Arts (NCFA) – was in use from 1937 to 1980. During this time, the NCFA underwent several exciting changes. After years of being housed in multiple locations and several failed attempts to build a permanent building, the collection moved to