Description: This post originally appeared on the National Museum of Natural History's blog, Unearthed.Who would think that behind the west wall of NMNH's paleontology hall is a painting of a goddess that created a sensation when installed in 1910? Some of you who visited the museum fifty years ago may remember the captivating Diana of the Tides as she surveyed the hall.Diana was painted
Description: [caption id="" align="aligncenter" width="430" caption="The Apollo 11 Command Module just fitting through the doors of the Arts and Industries Building as it is being moved out to go to the soon to open National Air and Space Museum, August 26, 1975, by Richard Farrar, Photographic print, Smithsonian Institution Archives, Record Unit 95 Box 32 Folder 32, Negative Number:
Description: A clause in the last will and testament of English scientist James Smithson eventually led to his estate being left to the United States "to found at Washington, under the name of the Smithsonian Institution, an establishment for the increase and diffusion of knowledge among men.” There was much debate as to what constituted such an establishment, but many of the proposals
Description: Ellen Dorn (right), former Director of Exhibitions at the Smithsonian’s Arts and Industries Building, worked on several large scale traveling exhibits including “America’s Smithsonian,” for the Smithsonian's 150th and "Smithsonian's America" which traveled to Japan. #Groundbreaker
Description: The American Foundation for the Blind launched the Helen Keller Archive, the world's first fully accessible digital archive comprised of more than 160,000 artifacts. [via PR Newswire]Ahead of his major retrospective at the Smithsonian American Art Museum, artist Trevor Paglen shares his views on the social and political implication of surveillance systems and artificial
Description: Vernacular photography is the latest type of photography to be discovered by museums. Postcards, collected by Walker Evans (but still, postcards), have just been exhibited by the Metropolitan Museum of Art, and a tintype exhibition just closed at the International Center of Photography in New York, another exhibit of snapshots was seen at the National Gallery of Art.
Description: We thought our work was done when a social media follower helped us identify our popular “unidentified male model” as German naturalist Emil Bessels. Then we discovered he may have murdered his captain during the 1871–73 Polaris Expedition.
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
Description: Amy Ballard is a senior historic preservation specialist emerita with the Smithsonian’s Architectural History and Historic Preservation Office, where she worked between 1985 until her retirement in 2016. She was promoted to senior historic preservation specialist in 2010. Ballard has contributed to plans for new buildings, including the Smithsonian’s National Museum of the
Description: Dianne van der Reyden was a paper conservator at the Smithsonian from 1981 to 2002. She was hired by the National Museum of American History in 1981 and was promoted to senior paper conservator and head of the paper conservation section before transferring to the Smithsonian’s Conservation Analytical Laboratory in 1984. There, van der Reyden was promoted to head of paper
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