Description: Camille Giraud Akeju was the Director of the Anacostia Community Museum from 2005 to 2016. Under her leadership, the Museum broadened its mission and scope to address the impact of historical and current events on urban communities, both locally and nationally.Before the Smithsonian, Akeju served as the president of the Harlem School of the Arts beginning in 1999. During her
Description: As a postdoctoral fellow at the National Museum of American History, I’ve spent months in the Smithsonian Institution Archives researching a book tentatively titled, Not Naturally a Grass Country: Environment, Plant Genetics, and the Quest for Agricultural Modernization in the Humid World. It’s largely a story about global attempts to replace one form of agriculture—the
Description: This is the latest post in our "Hot Topix" series. In each quarterly edition we show you what the reference team has been up to, and bring you some of the more notable inuqires we have received.Vicarious research is one of the great joys of the reference desk at the Smithsonian Institution Archives. From our front-row (well, only-row) seat outside the reading room, we catch
Description: This Path We Travel: Celebrations of Contemporary Native American Creativity, was one of the inaugural exhibitions at the National Museum of the American Indian, George Gustav Heye Center in New York City. The exhibition was a collaboration of fifteen Native American painters, sculptors, writers, musicians, and dancers. The exhibition featured sculpture, performance, poetry,
Description: The 2018 public domain graduates, including Aleister Crowley, René Magritte, Alice B. Toklas, Pierre Bonnard, and Winston Churchill! [via Public Domain Review]The history of dealing with lack of light in Scandanavia, and Happy Solstice! [via Mosaic Science]Aww, baby pictures of the internet from 1973! [via Open Culture]Close-ups of Jupiter from NASA look like impressionist
Description: I cannot, I feel, have any regrets about my accomplishments. What comes from art will just come. I don’t feel any need to strive. - John N. Robinson One of my favorite parts of working in an archive is the opportunity to immerse myself in other people’s worlds, to learn more about their stories and experiences. One such person I encountered recently was John N. Robinson, a
Description: Nearly four months into Smithsonian’s extended telework period, we thought it would be fun to share which skills and hobbies have been getting us through this overwhelming time.
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