Description: Chief curator, Dr. Jacquelyn Days Serwer, Smithsonian’s National Museum of African American History and Culture (NMAAHC), assembled the museum's art collection documenting 200 years of black visual expression. #Groundbreaker
Description: Scholar of military history, Dr. Kate Clarke Lemay, Smithsonian's National Portrait Gallery, has a dual doctorate in American art history and American studies, and is shortly releasing a book about how we remember war through material culture. #Groundbreaker
Description: Have a little fun with images from our collections that have been designated as open access. Anyone can now download, transform, share, and reuse millions of images as part of Smithsonian Open Access.
Description: Link Love: a weekly post with links to interesting videos and stories about archival issues, technology and culture, and Washington D.C. and American history.
Description: A daily photo highlight from Smithsonian collections. [caption id="" align="aligncenter" width="366" caption="Alfred Duane Pell Collection of Ceramics and Furniture on display in the National Gallery of Art (NGA), now the Smithsonian American Art Museum (SAAM), at the United States National Museum (USNM) building, now known as the Natural History Building (NHB), c. 1930, by
Description: [edan-image:id=siris_sic_10581,size=200,left]Vicarious research is one of the great joys of the reference desk at the Smithsonian Institution Archives. From our front-row (well, only-row) seat outside the reading room, we catch tantalizing glimpses of our patrons’ manifold research topics.The reference team fields around 6,000 queries per year. Ask us what people have been
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
Description: Link Love: a weekly post with links to interesting videos and stories about archival issues, technology and culture, and Washington D.C. and American history.
Description: Roslyn A. Walker was the Director of Smithsonian’s National Museum of African Art from 1997 to 2002. Under her leadership, the Museum welcomed a new permanent gallery for contemporary art, a development office, and the Friends of African Art support committee. From 1981 until her appointment, Walker had worked at the Museum as a curator, specializing in Nigerian art.