Description: [caption id="" align="aligncenter" width="334" caption="Paul Rhymer, Exhibits Specialist in Taxidermy at Exhibits Central, shows off the radio-controlled badger he created for Brian Miller, a post-doctoral fellow working at the National Zoo's Conservation and Research Center (CRC) in Front Royal, VA, The "robo-badger" had been found as road-kill and mailed to Rhymer frozen,
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
Description: [caption id="" align="aligncenter" width="400" caption="Installation View of Smithsonian Photography Exhibition Art Section, by Thomas Smillie, c.
Description: Throughout his twenty-five years as a Science Service journalist, Frank Thone maintained an active correspondence with fellow scientists and conservationists. His letters in the Smithsonian Institution Archives both preserve his wit and offer a glimpse at the informal networking that helped shape how Americans perceived the natural world. One of Thone’s correspondents was a
Description: Art history memes are back and better than ever. [via Bored Panda]The fascinating story behind the Freer Sackler's Peacock Room. [via Atlas Obscura]A new app, Seek, for identifying plants and animals, the "Shazam of Nature." [via My Modern Met]Speaking of apps, you can now create 3D artwork in Augmented Reality with Artopia! [via Colossal]And we have an app for Archives
Description: Smithsonian's National Portrait Gallery's Associate Curator of Prints, Drawings, and Media Arts, Dr. Asma Naeem, was an attorney and public servant prior to studying art history, and researches the history of technology and the sensorial imagination of both artist and beholder. #Groundbreaker
Description: Nearly two years ago, I first heard of a course on the conservation of Japanese paper co-organized by ICCROM, the cultural heritage arm of UNESCO, and the Tokyo National Research Institute for Cultural Properties (also known in Japanese as “Tobunken”). Over three weeks, the course offered a first-hand look at the traditional Japanese conservation techniques, materials, and
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