Description: A clause in the last will and testament of English scientist James Smithson eventually led to his estate being left to the United States "to found at Washington, under the name of the Smithsonian Institution, an establishment for the increase and diffusion of knowledge among men.” There was much debate as to what constituted such an establishment, but many of the proposals
Description: [caption id="" align="aligncenter" width="425" caption="The map shows the distribution of Smithsonian Correspondents throughout the world from the Smithsonian Institution Annual Report, 1895, the map is found after page 32, From its earliest years, the Institution maintained correspondence with scholars and volunteers who supported the work of the Smithsonian, by collecting
Description: The Smithsonian Institution Archives has captured two years of Smithsonian websites using the web tool Archive-It. See how we predict future research.
Description: A profile of the Archives' collections related to the Harriman Alaska Expedition of 1899 which explored Alaska's flora, fauna, and geography.
Description: Current headlines about war and the impact of forced migration on women are stark reminders of historic migrations and how women adapted and took on new roles.In 1987, Field to Factory: Afro-American Migration 1915-1940 premiered at the National Museum of American History.
Description: [edan-image:id=siris_arc_287602,size=250,left]As a child in England in the 1930s, Oliver Sacks enjoyed playing with his Uncle Abe’s spinthariscope. It was, he would later recall, “a beautifully simple instrument, consisting of a fluorescent screen and a magnifying eyepiece, and inside, an infinitesimal speck of radium.We take a look at the spinthariscope at the Smithsonian.
Description: [caption id="" align="aligncenter" width="405" caption=""Japan: Design Today" exhibition organized by the Japan Design House, the Walker Art Center and the Smithsonian Institution, and circulated by the Smithsonian Institution Traveling Exhibition Service, seen here as installed at the Walker Art Center, November 1960, by Robert Wilcox, Photographic print, Smithsonian
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