Description: In celebration of Archives Month, join us Monday, October 27th, 10am to 4pm ET, where four of our archivists specializing in audio/visual material, photos, and digital records (or electronic records) will be on the Smithsonian's Facebook page to answer questions about your own archival collections. Questions from our readers in the past have ranged from storing letter and
Description: Volunteers have been an integral part of the Smithsonian since the beginning. As our historian Pamela Henson likes to say, we have always relied on the kindness of strangers. A blog post in honor of Volunteer Appreciation Month 2015. Includes a list of Smithsonian crowdsourcing projects that volunteers can participate in.
Description: In honor of Martin Luther King Day 2010, we selected images from the Smithsonian Center for Folklife and Cultural Heritage's Diana Davies Photograph Collection. Davies began her career as a musician and became a photojournalist in the 1960s. During that time she documented Newport Folk Festivals, anti-poverty and Civil Rights movements, and farm workers' struggles. Her images,
Description: Shireen L. Dodson worked as Comptroller for the Smithsonian Institution (1986–1992), Associate Director for Administration and Planning at the National African-American Museum Project (1992–1995), and Associate Director for Administration at the Anacostia Museum and Center for African American History and Culture (1995–2000). #Groundbreaker
Description: This is post is part of our series on career advice for the aspiring archives professional. Each edition features information and career advice from a different member of the Smithsonian Institution Archives team, regarding what they do, how they got here, and how you can too. Don’t be afraid to let us know who you might like to hear from next!What is preservation? This is a
Description: In 1975 The George Eastman House in Rochester, NY opened a small exhibition titled “New Topographics: Photographs Of A Man Altered Landscape,” that changed the way we think about photography and the art of landscape. While it launched a new photographic style and conceptual framework for a traditional artistic genre, it also re-affirmed photography’s powerful ability to
Description: [caption id="" align="aligncenter" width="406" caption="Summer Youth Employment Program, July 1964, by Scurlock Studio (Washington, D.C.), Silver gelatin on cellulose acetate film sheet, Scurlock Studio Records, ca. 1905-1994, Archives Center, National Museum of American History, Call No.: AC0618.004.0001801."][/caption] You may have noticed that we have sorted out our tags
Description: I’ve been inspired by the snowflakes Wilson A. Bentley photographed through a microscope in the late 1800's ever since I first saw them in the Archives. Bentley donated 500 of his photographs to the Smithsonian in 1903 (you can read more about them in a post by Archives colleague, Courtney Esposito). The images capture nature at its most creative, mathematical, and elegant.
Description: [caption id="" align="aligncenter" width="403" caption="Untitled, 2001, by Susan Watts, Digital photograph, National Museum of American History, Behring Center, Division of Information Technology and Communications, Courtesy of Susan Watts/New York Daily News, Image No. watts012."][/caption] Given how quickly photographs are spread by the news and social media, we’ve come to
Description: The Smithsonian’s Field Book Project is a continuous fount of work for both our digitization crew here at the Archives and for me as the conservator in charge of the project’s physical needs. Over the past several weeks I have worked on a variety of field books with different structures and treatment requirements, and will share a few of the most common features I’ve seen in
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