Description: [caption id="" align="aligncenter" width="424" caption="National Air and Space Museum Flight Simulator, 1978, by Richard Farrar, photographic print, Smithsonian Institution Archives, Record Unit 371 Box 2 Folder May 1978, Negative Number:94-8320. "][/caption]
Description: Link Love: a biweekly post with links to interesting videos and stories about archival issues, technology and culture, and Washington D.C. and American history.
Description: Link Love: a weekly post with links to interesting videos and stories about archival issues, technology and culture, and Washington D.C. and American history.
Description: [caption id="" align="aligncenter" width="400" caption="Salman Rushdie's archives, featured in an Emory University publication, by Georgia Popplewell, Creative Commons: Attribution-NonCommercial-NoDerivs 2.0 Generic."][/caption] Back in October I talked—with great interest and at length—with Anne Van Camp, director of the Smithsonian Institution Archives, about the various
Description: Link Love: a weekly post with links to interesting videos and stories about archival issues, technology and culture, and Washington D.C. and American history.
Description: Vicarious research is one of the great joys of the reference desk at the Smithsonian Institution Archives. From our front-row (well, only-row) seat outside the reading room, we catch tantalizing glimpses of our patrons’ manifold research topics.The reference team fields around 6,000 queries per year. Ask us what people have been researching recently, and you’ll get into some
Description: [caption id="" align="aligncenter" width="442" caption="Sculptor Mario Martini's "Juggler" at the entrance to the Hirshhorn Museum and Sculpture Garden, 1974, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 371 Box 2 Folder November 1974, Negative Number: 92-1644."][/caption]
Description: [caption id="attachment_7871" align="alignleft" width="187" caption="A rendering of the AT&T Building, now the SONY Building, in New York, recently purchased by the Victoria & Albert Museum from a newly discovered cache of material from the Philip Johnson’s architectural practice. Photo courtesy Capelin Communications.
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