Description: Curator of Craft Nora Atkinson, Smithsonian American Art Museum, researches the role of the handmade in modern culture and was responsible for bringing the large scale art of Burning Man to the nation's capital for the first time. #Groundbreaker
Description: The Freer Gallery of Art houses the Asian and impressionist art collection of Charles Lang Freer, who donated art works and an endowment to the Smithsonian in 1906. In 1982, Arthur M. Sackler donated a complementary collection housed in the Sackler Gallery in the Smithsonian Quadrangle Complex adjacent to the Freer. History of the Freer Gallery of Art and the Arthur M. Sackler
Description: Curator Adelyn Breeskin, National Museum of American Art (now Smithsonian American Art Museum), was one of the 1st women to direct a major art museum (Baltimore Museum of Art) and was a champion of obscure artists in the contemporary art world. #Groundbreaker
Description: The American Foundation for the Blind launched the Helen Keller Archive, the world's first fully accessible digital archive comprised of more than 160,000 artifacts. [via PR Newswire]Ahead of his major retrospective at the Smithsonian American Art Museum, artist Trevor Paglen shares his views on the social and political implication of surveillance systems and artificial
Description: This post is an update to Lynda Schmitz Fuhrig's post “Archiving the Smithsonian’s Presence on the Internet” from September 2, 2010. The Smithsonian Institution has had a presence on the Internet for more than sixteen years. It’s come a long way since then. Documenting the Smithsonian’s various websites falls under the purview of the Smithsonian Institution Archives...but how
Description: In honor of the 50th anniversary of the Museum Computer Network, this second blog explores the early interactions of MCN with the Smithsonian.
Description: [caption id="" align="aligncenter" width="237" caption="Georgia O'Keeffe, 1920, by Alfred Stieglitz, Photographic print, Archives of American Art, Local Number: AAA 440 (fr. 508)."][/caption] I confess, way back when as a student of American Modernism, I was never much interested in Georgia O’Keeffe. I was supposed to be. She was the lone, out-there, woman painter of America;