Description: As a postdoctoral fellow at the National Museum of American History, I’ve spent months in the Smithsonian Institution Archives researching a book tentatively titled, Not Naturally a Grass Country: Environment, Plant Genetics, and the Quest for Agricultural Modernization in the Humid World. It’s largely a story about global attempts to replace one form of agriculture—the
Description: Dr. Sharon F. Patton, Director, Smithsonian’s National Museum of African Art, 2003-2008, oversaw the museum’s 9,000 African art objects and welcomed the distinguished Walt Disney-Tishman African Art Collection. Under her leadership, the museum opened its first traveling exhibition and established a visiting artists program. #Groundbreaker
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
Description: Chief curator, Dr. Jacquelyn Days Serwer, Smithsonian’s National Museum of African American History and Culture (NMAAHC), assembled the museum's art collection documenting 200 years of black visual expression. #Groundbreaker
Description: Gerrit S. Miller, Curator of Mammals at the United States National Museum, now known as the National Museum of Natural History, SIA2012-10006.
Description: [caption id="" align="aligncenter" width="384" caption="Architect's Model of the Smithsonian Institution Castle, 1846, by Unidentified photographer, Daguerreotype, National Museum of American History, Kenneth E. Behring Center, Division of Information Technology and Communications, Image ID: AFS 140."][/caption] In 2000, as an answer to the question, “does the Smithsonian have
Description: Before you head to “Deep Time,” opening this weekend at Smithsonian’s National Museum of Natural History, learn about how Smithsonian’s fossil collection was initially formed and exhibited.
Description: Roslyn A. Walker was the Director of Smithsonian’s National Museum of African Art from 1997 to 2002. Under her leadership, the Museum welcomed a new permanent gallery for contemporary art, a development office, and the Friends of African Art support committee. From 1981 until her appointment, Walker had worked at the Museum as a curator, specializing in Nigerian art.