Description: [edan-image:id=siris_sic_9246,size=500,center]THE BIGGER PICTURE's “Wonderful Women Wednesday” series profiles the female curators, directors, and research scientists who have risen to prominence in their careers at the Smithsonian.These stories of broken glass ceilings are fascinating, but they barely scratch the surface of the Smithsonian’s female workforce through the
Description: In 2019, the Smithsonian faced the repercussions of the nation’s longest-ever government shutdown, but the institution is no stranger to the dreaded furlough.
Description: In a world drowning in images, where we swipe past photos of friends, relatives, and selves in mere seconds, a set of remarkable portraits taken in the 1910s and 1920s by Julian Papin Scott (1877-1961) deserve more considered attention. Sometimes, his subjects appear immersed in work, surrounded by microscopes, beakers, or stacks of books, as if unaware of the photographer.
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
Description: Since our move to Smithsonian Institution Support Center, in the fall of 2015, the Archives have been able to work on longer-term projects using the photographic negatives stored in our cold storage vault. One of these projects is systematically scanning the collection of glass plate negatives from the United States National Museum, Division of Graphic Arts Photograph
Description: [caption id="attachment_13094" align="aligncenter" width="404" caption="Jefferson Memorial Cherry Blossoms at the Tidal Basin, 1983, by Jeff Tinsley, Color slide, Smithsonian Institution Archives, Negative Number 83-4105."][/caption] Today, we’re starting a new weekly feature that highlights images from the Archives’ historic Smithsonian Photographic Services collection.