Description: [caption id="" align="aligncenter" width="405" caption="A model showing a mining town with railroad tracks in the foreground, various coal mining buildings, and houses in the background in the United States National Museum, now the Arts and Industries Building, c. 1920, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 285, Box 16,
Description: [caption id="" align="aligncenter" width="293" caption="Aerial view of the Rhode River and the site of the Chesapeake Bay Center for Environmental Studies (CBCES), now known as the Smithsonian Environmental Research Center (SERC), in Edgewater, Maryland, Date unknown, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 549 Box 2
Description: [caption id="" align="aligncenter" width="280" caption="The stairs leading to the south entrance of the National Museum of Natural History after a snow storm with a small path cleared through the snow, c. 1911, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 532, Box 133, Folder: NHB Undated, Negative Number: 26870-B."][/caption]
Description: As head of the Center for African American Media Arts, National Museum of African American History and Culture, curator Dr. Rhea Combs leads effort to collect, preserve, and make accessible an extensive collection of films, photographs, and recordings documenting African American history. #Groundbreaker
Description: Stereoscopic photograph of unidentified men at work in the laboratory of the United States Fish Commission research station in Woods Hole, Massachusetts.
Description: [caption id="" align="aligncenter" width="320" caption="Untitled, by Thomas Smillie, c. 1890, Smithsonian Institution Archives."][/caption] One of the things people often want to know about photography at the Smithsonian is, “How many photographs do you have?” with the quick follow-up, “Have you counted all of them?” No one knows for certain, but statistical sampling suggests
Description: [caption id="attachment_2262" align="aligncenter" width="186" caption="Frankenstein by MARX!, by Flickr user TCM Hitchhiker."][/caption] For all the talk about creative seeing and the art of photography, the technical parameters of picture-taking and making have, for the most part, been defined by manufacturers of camera and photographic supplies. That wasn’t always the case;
Description: Ann M. Shumard has worked to develop the photography collection at the National Portrait Gallery as an Assistant Curator, 1979–2001, and Senior Curator of Photographs, 2001–present. She has curated more than a dozen exhibitions and serves on the Smithsonian’s Collections Advisory Committee. #Groundbreaker
Description: [caption id="" align="aligncenter" width="320" caption="Glass lantern slide of Roscrana in Glencoe, Illinois, 1930. The garden includes white tulips, blue forget-me-nots and allee of trees. Unidentified Photographer. Archives of American Gardens, Smithsonian Institution. "][/caption] In the 1960s, during the process of planning a kitchen remodel at its headquarters in New York
Description: At a September 27, 1931, symposium about the evolution of the universe, Watson Davis photographed astronomer Abbé Georges Henri Joseph Édouard Lemaître, physicist Sir Oliver Lodge, astrophysicist Edward Arthur Milne, and Anglican bishop and mathematician Ernest William Barnes.
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