Description: We’re lucky that our interns love coffee, because for this summer’s final project, I selected Russell Greenberg’s Field notes, Xalapa and Chiapas, Mexico, 2001 for a full conservation treatment. If you’ve not had your morning cup yet, you may be wondering why we celebrate his work on National Coffee Day. Dr. Greenberg was an ornithologist, founder and director of the
Description: So you want to be a conservator? In this continuation of our series on career advice, one of our conservators shares some advice for those looking to explore the professional field of cultural heritage conservation.
Description: In February 1975, twenty Smithsonian scientists gathered at the National Zoo's Conservation Research Center in Front Royal, Virginia to talk about their research and the future of science at the Smithsonian.
Description: In addition to physical damage and deterioration of storage media, the technological complexity and dependency of electronic records make them uniquely vulnerable to loss, corruption, and alteration (both accidental and malicious). To achieve long-term preservation of fragile born-digital materials, digital archivists need a plan.
Description: [caption id="attachment_9678" align="aligncenter" width="300" caption="View of the Archives Fair setup, October 22, 2010."][/caption] We are going to be live blogging from the Smithsonian Archives Fair this morning and profiling all of the activities that will be going on today. Stay tuned throughout the day to see what's going on. [caption id="attachment_9680"
Description: Cancer, James T. Patterson observed in The Dread Disease, serves as a powerful metaphor in American culture, where the malady mirrors the “manifestation of social, economic, and ideological divisions” in modern life. In the decades since publication of Patterson’s book, medical research has made great strides in methods of detection and treatment. But the challenge for science
Description: In a world drowning in images, where we swipe past photos of friends, relatives, and selves in mere seconds, a set of remarkable portraits taken in the 1910s and 1920s by Julian Papin Scott (1877-1961) deserve more considered attention. Sometimes, his subjects appear immersed in work, surrounded by microscopes, beakers, or stacks of books, as if unaware of the photographer.