Description: Link Love: a weekly post with links to interesting videos and stories about archival issues, technology and culture, and Washington D.C. and American history.
Description: Link Love: a weekly post with links to interesting videos and stories about archival issues, technology and culture, and Washington D.C. and American history.
Description: Link Love: a weekly post with links to interesting videos and stories about archival issues, technology and culture, and Washington D.C. and American history.
Description: What was the Saint Augustine Monster? According to Wikipedia, it was a globster—“an unidentified organic mass that washes up on the shoreline of an ocean or other body of water.” This great-grandaddy of globsters kept cryptozoologists speculating and scientists testing for a century—and a piece of it lives at the Smithsonian. The St. Augustine monster was discovered by two
Description: This October cultural institutions around the world will be getting a little spooky and scary for Page Frights, a month-long look at our creepiest collection finds.
Description: [caption id="attachment_7871" align="alignleft" width="187" caption="A rendering of the AT&T Building, now the SONY Building, in New York, recently purchased by the Victoria & Albert Museum from a newly discovered cache of material from the Philip Johnson’s architectural practice. Photo courtesy Capelin Communications.
Description: Behind the archivists, technicians, and specialists of the museum field are an abundance of organizations that network ideas, connect professionals, and present new strategies to broaden the impact of museums (American Alliance of Museums, Society of American Archivists, etc.). Many associations focus on specific aspects of this dynamic field and help to push museum practice
Description: Link Love: a weekly post with links to interesting videos and stories about archival issues, technology and culture, and Washington D.C. and American history.
Description: Savage Beauty, the posthumous and retrospective exhibition of women’s fashions designed by Alexander McQueen (1969–2010) at New York’s Metropolitan Museum of Art closed early in August. The record breaking event—an official attendance count of 661,509 visitors made it the eighth biggest show in the museum’s history—featured approximately one hundred ensembles drawn, primarily,
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