Description: Ellen Roney Hughes’ supposition in 1999 was “Well, I think it’s still a man’s world at the Smithsonian.” This may hold some validity due to recent discoveries at the Smithsonian.
Description: An important part of the museum story that we often forget: how the objects got there in the first place. Donors’ stories often reveal the fascinating and complicated path that object take before they come into the Smithsonian’s collections. Here’s a great read on a family who collected celluloid (plastic) souvenirs, jewelry, products, and knick-knacks, that now reside at the
Description: Thankful edition!Artist Gabriel Dawe makes rainbows. [via Bored Panda]Our Arts & Industries building, the 1st U.S. National Museum, amazes many who visit the National Mall. Learn more about it!Some key things you should know about American Indians from the director of our National Museum of the American Indian. [via Washington Post]Colombian singer Carlos Vives is donating one
Description: [edan-image:id=siris_arc_383399,size=180,right]Vicarious research is one of the great joys of the reference desk at the Smithsonian Institution Archives. From our front-row (well, only-row) seat outside the reading room, we catch tantalizing glimpses of our patrons’ manifold research topics.The reference team fields around 6,000 queries per year. Ask us what people have been
Description: [caption id="" align="aligncenter" width="405" caption="Lucille St. Hoyme (1924-2001), J. Lawrence Angel (1915-1986), and Thomas Dale Stewart (1901-1997), 1967, by Smithsonian Institution Office of Public Affairs, Smithsonian Institution Archives, Lucille St. Hoyme (1924-2001), J. Lawrence Angel (1915-1986), and Thomas Dale Stewart (1901-1997), 1967, by Smithsonian Institution
Description: Before becoming the Director of the Diné College Museum in Arizona, Harry Walters spent three months at the Smithsonian learning techniques for the care and handling of artifacts, including their identification, description, conservation, storage, and exhibition.