Description: Look at enough photographs and it’s inevitable that, at some point, you’ll find yourself pondering mortality and photography’s relationship to death. Because the medium so effectively captures fragments of lives, events, and data that have come and gone, you’re always looking at and trying to make sense of something that’s over, finished, part of the past. Writers—particularly
Description: [caption id="" align="aligncenter" width="430" caption="Smithsonian Secretary S. Dillon Ripley (1913-2001) riding a scooter at the 1974 Folklife Festival in the Mississippi delta section, with a cotton field behind him, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 613, Box 269, Folder: SDR Photos, Negative number:
Description: [caption id="" align="alignright" width="254" caption="Untitled (In the Movie House Watching "Haunting of Hill House"), ca. 1950, Weegee, Gelatin silver print on paper, Smithsonian American Art Museum Museum purchase, 1988.45."][/caption] Weegee on news photography: “I will walk many times with friends down the street and they'll say, ‘Hey, Weegee. Here's a drunk or two drunks
Description: This is a summary of the Smithsonian Institution Archives' 3rd Wikipedia edit-a-thon on the scientific field books in the Archives’ collections
Description: [caption id="" align="aligncenter" width="405" caption="Dr. David W. Scott, left, curator and later director of the National Collection of Fine Arts, now the National Museum of American Art, with unidentified person, 1969, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 313 Box 26 Folder 3, Negative Number: 94-4412."][/caption]
Description: We’re taking a glimpse into the work and life of Margaret Sordahl and other women at Smithsonian Astrophysical Observatory stations around the world.