Description: We're ready to take our women in science to the next level! I hope botanist Mary Agnes Chase would be proud.This journey started with our history of science and the media research fellow, Marcel LaFollette, who created basic records for female scientists she uncovered in the Archives' Science Service collection, including many who worked at the Smithsonian. We then created a
Description: [caption id="attachment_680" align="alignleft" width="159" caption="Flickr member, Penny L. Richards"][/caption] I work with people across the Smithsonian to add photos to the Smithsonian Flickr Commons photostream. Occasionally, something stands out in the daily summary of comments and tags I receive. Sometimes, it’s an exchange between Flickr members sparked by a single
Description: Late 2015, the beta version of the Smithsonian’s Learning Lab, a new digital platform providing access to digital resources across the Smithsonian alongside tools for teachers and students, launched. I was delighted to see a related social media update hinting at some of the discoveries to be had with the Learning Lab, one of which showed Saul Steinberg drawings on Smithsonian
Description: On Monday, October 27th, four of our finest were available on the Smithsonian's Facebook page to answer questions about preserving your own archival collections. The four archivists at the Q&A have specialties in the preservation and organization of audio/visual material, photos, and digital records (email, digital video, etc.) This is our fourth year hosting this event and
Description: This is the latest post in our series on career advice for the aspiring archives professionals. Each edition features information and career advice from a different member of the Archives team, regarding what they do, how they got here, and how you can too. Check out our previous posts, and don’t be afraid to let us know who you would like to hear from next!The Archives has
Description: When I started working with museums in 2005, the concept of crowdsourcing was in its infancy. That year, James Surowiecki ‘s book, “The Wisdom of Crowds,” was published and there were tiny experiments in crowdsourcing occurring in the cultural heritage sector. There were hesitations and objections about the whole concept within the GLAM (gallery, library, archive, museum)
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