Description: [caption id="" align="aligncenter" width="350" caption="A giraffe mannequin, before the skin was put on, is being assembled in the taxidermy shop of the new United States National Museum, now known as the National Museum of Natural History, c. 1911, by Unidentified photographer, Cyanotype, Smithsonian Institution Archives, Record Unit 7074, Box 35, Folder 06, Negative Number:
Description: [caption id="" align="aligncenter" width="398" caption="The Center Market on B Street, now Constitution Avenue, north of the new United States National Museum, now the National Museum of Natural History, October 9, 1909, by Unknown photographer, Photographic print, Smithsonian Institution Archives, Record Unit 95 Box 33 Folder 16, Negative Number: 21940 and
Description: [caption id="" align="aligncenter" width="430" caption="A group of East African buffalo, specimens from the Smithsonian-Roosevelt Expedition (1909-1910), are on display in the Mammal Hall at the United States National Museum, now known as the National Museum of Natural History, c. 1915, by Unidentified photographer, Cyanotype, Smithsonian Institution Archives, Record Unit 95,
Description: [caption id="" align="aligncenter" width="289" caption="In the hallways of the United States National Museum, now known as the National Museum of Natural History, every available foot of space is occupied by valuable collections housed carefully in metal covered cabinets to guard them from injury, 1936, by Unidentified photographer, Photographic print, Smithsonian Institution
Description: [caption id="" align="aligncenter" width="313" caption="The blue whale can be seen on display in the "Life in the Sea" exhibit as part of the the Exhibits Modernization Program in the United States National Museum, now the National Museum of Natural History, 1963, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 95, Box 44, Folder
Description: [caption id="" align="aligncenter" width="369" caption="The Rotunda of the United States National Museum, now the National Museum of Natural History, decorated with American flag buntings hanging from the balconies, circa 1915, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 532, Box 103, Folder: NHB Undated, Negative Number:
Description: [caption id="" align="aligncenter" width="337" caption="An elaborately carved capital for one of the columns for the new United States National Museum building, now known as the National Museum of Natural History, while still in the workshop, c. 1905-1910, by Unknown photographer, Smithsonian Institution Archives, Record Unit 95, Box 33, Folder 3, Negative Number:
Description: [caption id="" align="aligncenter" width="368" caption="After the Exhibits Modernization Program, an exhibit case in the Bird Hall at the United States National Museum, now known as the National Museum of Natural History, features birds sitting on a tree branch in their natural surroundings, 1956, by Unidentified photographer, Photographic print, Smithsonian Institution
Description: [caption id="" align="aligncenter" width="301" caption="Doris Mable Cochran (1898-1968), herpetologist in the Division of Reptiles and Amphibians of the United States National Museum (now the National Museum of Natural History). Cochran was appointed an aid to Leonhard Stejneger in 1919, Assistant Curator in 1927, Associate Curator in 1942, and Curator in 1956. She retired in
Description: [caption id="" align="aligncenter" width="344" caption="Photograph of the west court, looking toward the south pavilion and rotunda, and showing the projection of one of the stair towers of the U.S. National Museum Building, now known as the National Museum of Natural History, c. 1913, by Unidentified photographer, Black and white photographic print, Smithsonian Institution
Description: Dr. Tuliza Fleming, Curator of American Art at the National Museum of African American History and Culture since 2007, worked to build the museum's foundational American art collection, served as the lead curator for the inaugural exhibition Visual Art and the American Experience, curated Clementine Hunter: Life on Melrose Plantation, and co-curated the traveling exhibition