Description: Look at enough photographs and it’s inevitable that, at some point, you’ll find yourself pondering mortality and photography’s relationship to death. Because the medium so effectively captures fragments of lives, events, and data that have come and gone, you’re always looking at and trying to make sense of something that’s over, finished, part of the past. Writers—particularly
Description: [caption id="attachment_4178" align="alignleft" width="206" caption="Levi Hill often photographed color lithographic prints, mostly European images, when attempting to perfect his Hillotype color process. This print of a girl and small animal shows his achievement in capturing natural colors on a daguerreotype plate, circa 1851-56."][/caption] Excepting the 8% of males and
Description: [caption id="" align="aligncenter" width="311" caption="IC 4970 and NGC 6872: Galaxy Collision Switches on Black Hole, X-ray: NASA/CXC/SAO/M.Machacek; Optical: ESO/VLT; Infrared: NASA/JPL/Caltech."][/caption] I’m sure you’re familiar with beauties, like the one above, from the Chandra X-ray Observatory. Well, apparently, with “a basic understanding of astronomy data & image
Description: [caption id="" align="aligncenter" width="313" caption="Georgia O'Keefe at the Hirshhorn Museum and Sculpture Garden (HMSG) with Rene Magritte's sculpture "Delusions of Grandeur," 11 November 1977, by Richard Farrar, Photographic print, Smithsonian Institution Archives, Record Unit 371 Box 2 Folder December 1977, Negative Number: 92-1789."][/caption] It is always fascinating
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