Description: “Can a Rattlesnake hypnotize a Pine Mouse to death”? Questions from a typical day of treatment for a Pre-Program Paper Conservation Intern.
Description: [caption id="" align="aligncenter" width="422" caption="Mounted Cyanotypes, the Working Proofs for Eadweard Muybridge's Animal Locomotion, Plate 55, "Walking, Turning Around, Action of Aversion" (Miss Larrigan, July 28, 1885), by Eadweard Muybridge, Cyanotype, National Museum of American History, Kenneth E. Behring Center, Division of Information Technology and Communications,
Description: The American Foundation for the Blind launched the Helen Keller Archive, the world's first fully accessible digital archive comprised of more than 160,000 artifacts. [via PR Newswire]Ahead of his major retrospective at the Smithsonian American Art Museum, artist Trevor Paglen shares his views on the social and political implication of surveillance systems and artificial
Description: Link Love: a weekly post with links to interesting videos and stories about archival issues, technology and culture, and Washington D.C. and American history.
Description: Art-inspired pumpkins. [via Hyperallergic]Gif's turned art. [via Wired]Our neighbor, the National Gallery of Art, just reopened their beautiful east wing and it has a stunning blue friend. [via Washington Post]Loved the Renwick Gallery's Wonder exhibit? You can now experience it in VR! [via DCist]The powerful symbolism in Nat Turner's bible. [via Smithsonian Magazine]Nashville
Description: Though small in stature, Elvira Clain-Stefanelli was a force to be reckoned with at the Smithsonian, where she earned the role of the first executive director of the National Museum of American History’s National Numismatic Collection.
Description: The Smithsonian American Art Museum (SAAM) has undergone many name changes over the years. One of these – the National Collection of Fine Arts (NCFA) – was in use from 1937 to 1980. During this time, the NCFA underwent several exciting changes. After years of being housed in multiple locations and several failed attempts to build a permanent building, the collection moved to
Description: We’re taking a look at the various watercolors the Smithsonian Institution has collected both past and present, highlighting the diversity in artists, technique, unique painting effect, and versatility to create anything from insects to cityscapes.
Description: [edan-image:id=siris_sic_9668,size=200,left]The Art Room, a greatly scaled down successor to the Smithsonian’s original 1857 Gallery of Art, is located on the second floor of the Smithsonian Building (the Castle). It was designed in 1899 by the architectural firm Hornblower and Marshall to house the Smithsonian’s collection of prints and drawings. When the room was first
Description: From 1967 to 1991, Mary E. Massey broke barriers for women at the Smithsonian by demonstrating her skills in spaces typically reserved only for men. Though Massey arrived at the Smithsonian as an elevator operator, by her retirement, she was the building manager for the Smithsonian American Art Museum and the National Portrait Gallery. In a column reserved for the Smithsonian
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