Description: In celebration of Women’s History Month and International Women’s Day, this is the second in a series of installments from Smithsonian Institution Archives staff highlighting women in science photographs. We will post portraits of women science here throughout the month. In a 1930s movie about hotshot newspaper reporters, you might hear the star (Jimmy Cagney, probably) yell
Description: A brief look at the history and attitudes towards women and Latin Americans at the Smithsonian Tropical Research Institute amplifies the significance of Dr. Oris I. Sanjur’s formal appointment as acting director in 2020.
Description: [caption id="" align="aligncenter" width="400" caption="Salman Rushdie's archives, featured in an Emory University publication, by Georgia Popplewell, Creative Commons: Attribution-NonCommercial-NoDerivs 2.0 Generic."][/caption] Back in October I talked—with great interest and at length—with Anne Van Camp, director of the Smithsonian Institution Archives, about the various
Description: Whether we love to hate them, or hate to love them, paper clips are a huge part of working in archives. In an attempt to showcase this little contraption, we did a call out to the twitterverse for other archivists to share their collection of paper clips. Needless to say, it was not a disappointment. Now go forth archivists! And remember Clippy will always be there to
Description: Today, James Smithson’s bequest to found the Smithsonian is considered a wonderful event, but in 1835 when it was announced, many Americans responded negatively. Why did they look his gift horse in the mouth?
Description: In paper conservation, it’s not just about the paper. Here I’ll explain the process in using acrylic paint and adhesive to repair the leather bindings of field books.
Description: Alcione M. Amos, Curator at the Smithsonian Anacostia Community Museum since 2009, researches the history of post-slavery societies and Afro-Brazilians from West Africa in the nineteenth century. She curated major exhibitions at the museum, such as Word, Shout, Song (2010–2011) and How the Civil War Changed Washington (2015). #Groundbreaker
Description: [caption id="attachment_2064" align="aligncenter" width="360" caption="Photographs of Paul and Julia from page 262 of My Life in France, by Thérèse-Marie Blazek of feastingonpixels.blogspot.com."][/caption] If you haven’t seen Nora Ephron’s latest film Julie & Julia yet, there are several scenes, which indicate that aside from his work for the U.S. government, Julia Child’s
Description: [edan-image:id=siris_sic_10193,size=175,left]Fifty years ago the Smithsonian embarked on a new venture to bring the culture on display in the museum to life with the first Smithsonian Folklife Festival. Then called the Festival of American Folklife, it set out to show that the crafts shown inside museums are also still alive and well across the country.
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