Description: [caption id="" align="aligncenter" width="442" caption="View of Canyon, 1873, by Timothy H. O'Sullivan, Black and white photoprint on cardboard mount, National Anthropological Archives, SPC Sw Gen NM 113605 01861700, Local Number: NAA INV 01861700."][/caption] I paid another visit to the Timothy O’Sullivan exhibition now on view at the Smithsonian American Art Museum and a
Description: Improved physical housing is one step you can take to help extend the life of your audiovisual media. Take a look at the new housing for lacquer transcription disc recordings from The World is Yours radio programs.
Description: [embed]http://www.youtube.com/watch?v=zbnJo88kuP8&feature=related[/embed] You may have noticed a few changes on the blog lately (and then again, maybe you haven't). Either way, we wanted to update you on some new additions to THE BIGGER PICTURE. The big change that we've made is to our blog categories—some of our old categories remain, but we’ve also added new ones.
Description: The Freer Sackler Gallery’s efforts to make their large collection of squeezes (paper molds that capture the inscriptions of ancient monuments) into an easy-to-use Web resource received a nice write-up on The Atlantic’s Tech blog [originally posted on the Smithsonian Collections Blog]. David Ferriero, Archivist of the United States, talks about “balancing access and
Description: [caption id="attachment_1433" align="aligncenter" width="263" caption="Outdated kodachrome '73, '79, '83, by Goodimages."][/caption] Recently, Kodak announced it was discontinuing production of Kodachrome products. Known for its vibrant color, Kodachrome, was a child of the Depression, a process invented by two musicians—violinist Leopold Godowski Jr. and pianist Leopold
Description: [caption id="" align="aligncenter" width="368" caption="Pat Tilko Connects the World to the Smithsonian, 1994, by Jeff Tinsley, Photographic print, Smithsonian Institution Archives, Accession 98-015 Box 2 Folder July 1994, Negative Number: 94-6139-17A."][/caption] We just wanted to give our readers a head’s up that this weekend, there will be disruptions on the servers across
Description: From 1967 to 1991, Mary E. Massey broke barriers for women at the Smithsonian by demonstrating her skills in spaces typically reserved only for men. Though Massey arrived at the Smithsonian as an elevator operator, by her retirement, she was the building manager for the Smithsonian American Art Museum and the National Portrait Gallery. In a column reserved for the Smithsonian
Description: As the architect Victor Lundy turns 90, we look back at the redwood shade structures he designed in the mid-1960s for the terrace of the new Museum of History and Technology (today the National Museum of American History).
Showing results 121 - 132 of 872 for From Reliable Sources: The Archives of American Art (Motion picture : 1987)