Description: [edan-image:id=siris_sic_8629,size=350,left]C. Malcolm Watkins was an unlikely revolutionary; nevertheless, he would lead a vanguard of curators who brought African American history into the Smithsonian in the 1960s and 1970s. C. Malcolm Watkins, Smithsonian curator and cultural historian, brought African American history into the Smithsonian in the 1960s and 1970s. Attentive
Description: I am in possession of my grandfather's accounting book. It starts in 1989 and continues to 1936 when he passed away. It contains every penny he earned. This book is something he bought at I would think Woolworths (at the time) and comparable to Walmart today. I live in Arizona and am concerned about how to preserve these books (there are 2). My family lives in the Baltimore
Description: Bloggers on The Bigger Picture often describe how, in the course of their work, they come across intriguing archival objects and artifacts that trigger new insights into history. “Hands on” encounters with compelling evidence from the past are thrilling and can be provocative. But so can different sorts of encounters, including those that are driven by data, rather than
Description: [caption id="" align="aligncenter" width="349" caption="Washington, D.C. 1975, from the series Archaeological Series, 6 Inch Contour Gauge, 1975, by Kenneth Josephson, Gelatin silver print on paper, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.828."][/caption] In 1981, the Smithsonian American Art Museum (at the time it was named