Description: Tree O'Donnell and Mike Friello of Office of Exhibits Central provide a fiberglass and pigmented polyester resin facial to Uncle Beazley, a 22-foot long replica of a dinosaur triceratops, 81-6787-23A.
Description: [caption id="" align="aligncenter" width="288" caption="Owney Embarks on his Makeover, photo courtesy of National Postal Museum, Pushing the Envelope blog."][/caption] Owney the Railway Mail Service dog is about to undergo conservation to improve his appearance and will be tweeting about the whole process on his very entertaining Twitter feed. You all know about our passion
Description: [caption id="" align="aligncenter" width="430" caption="Watson M. Perrygo, taxidermist and exhibits preparator and zoological exhibits worker in the Department of Zoology, USNM, 1952-1958, and Alexander Wetmore, ornithologist and Sixth Secretary of Smithsonian, stand beside a truck carrying the identification of the United States Air Force (U.S.A.F. A-6331), March 14, 1952, by
Description: [caption id="" align="aligncenter" width="412" caption="Fabrics of the Future Exhibit installed in a display window at the Woodward & Lothrop Department Store, G and 12th Streets, N.W., Washington, D.C, The exhibit featured such synthetic fabrics as nylon and rayon, c. 1938-1939, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit
Description: [caption id="" align="alignright" width="193" caption="Camel cigarette advertisement from Vanity Fair, 1934, by Unknown creator, Smithsonian Institution Libraries, ID: SIL7-78-03."][/caption] Cigarettes and gardenias . . . The Smithsonian Institution Libraries blog checks out old trade literature on women, commerce, and society. Beautiful digital flipbooks at Mediastorm. I
Description: Spencer F. Baird and George Brown Goode used their diverse, and sometimes quirky, contacts from the U.S. Fish Commission to fill exhibit cabinets in the U.S. National Museum.
Description: Archived correspondence between Joseph Hirshhorn and modern artists Willem de Kooning, Alexander Calder, and Marc Chagall bring light to the means in which we communicate artist to collector relationships in the digital era.
Description: [caption id="" align="aligncenter" width="368" caption="Interior of Office of Printing and Photographic Service's cold storage vault, 1983, by Richard K. Hofmeister, Smithsonian Institution Archives, Record Unit 371 Box 4 Folder September 1983, Negative Number 2004-10338."][/caption] To be sure, the Smithsonian has a lot of photographs. Millions of them in hundreds of