Description: [view:sia_slideshow==71908]By the late 1960s, curators at the National Museum of History and Technology (NMHT), now the National Museum of American History, were focusing on how to present aspects of the American experience to visitors of the museum in different ways. Instead of using "sterile techniques which have too frequently given visitors the false impression that all
Description: Jacob Kainen trained as a painter at Brooklyn's Pratt Institute and experimented with printmaking while employed in the graphics program of the Federal Art Project in the 1930's. Kainen, a member of the New York avant-garde in the 1930s, came to the Smithsonian in 1942 and served as graphic arts curator through the 1960's. His friendships in the New York art world assisted his
Description: Historian Lonnie Bunch is the founding director of the National Museum of African American History and Culture, the Smithsonian’s 19th museum. Growing up with a love of history and a sense that African Americans deserved “a voice,” his education and early career gave him the research, museum, and management experience that allowed him to successfully develop an idea into a
Description: [view in Spanish]As a young artist living in Washington, William H. Holmes began sketching specimens for scientists at the U.S. National Museum. Based on that experience, he was invited to join the U.S. GeologicalSurvey of the Territories under the command of Ferdinand Vandiveer Hayden in 1872.During his early years in the western territories, Holmes refined his skills as an