Description: Curator Dr. Karen Milbourne, National Museum of African Art, studies the arts of western Zambia and contemporary African art. Her exhibition "Visionary: Viewpoints on Africa's Arts" won an Association of Art Museum Curators (AAMC) Excellence in Exhibitions award. #Groundbreaker
Description: Dorothy T. Van Arsdale, Chief, Smithsonian Institution Traveling Exhibition Service, 1964–70, managed logistics for traveling exhibitions around the world. A major part of her role was negotiating with host countries about shipping, transportation, conservation, and more. #Groundbreaker
Description: Anna R. Cohn, Director, Smithsonian Institution Traveling Exhibition Service (SITES), 1988–2014, toured groundbreaking exhibitions across the United States. She joined the Smithsonian in 1983 as director of the international exhibition “The Precious Legacy” and later organized “Generations” for the S. Dillon Ripley Center’s International Gallery. #Groundbreaker
Description: This Path We Travel: Celebrations of Contemporary Native American Creativity, was one of the inaugural exhibitions at the National Museum of the American Indian, George Gustav Heye Center in New York City. The exhibition was a collaboration of fifteen Native American painters, sculptors, writers, musicians, and dancers. The exhibition featured sculpture, performance, poetry,
Description: Kimberly Camp, Founding Director, Smithsonian Experimental Gallery, 1989-94, managed the opening of eighteen exhibitions focused on experimentation in presentation, design, and interpretation in the Arts and Industries Building. Camp is also a professional artist. #Groundbreaker
Description: Polly Willman, Conservator of Costumes, Smithsonian’s National Museum of American History, 1988–99, supervised staff and treated costume and textile objects for the museum’s major exhibitions, including for the redesign of the First Ladies Hall. #Groundbreaker
Description: Senior Curator and Historian Portia James (1953-2015) pioneered a community-based approach at the Anacostia Community Museum and led the exhibitions, publications and collections programs. She researched African American material culture. #Groundbreaker
Description: Dr. Massumeh Farhad, Chief Curator and Curator of Islamic Art, Freer and Sackler Galleries, has created numerous exhibitions on the arts of the Islamic world, and twice received the Smithsonian Secretary's prestigious research prize. #Groundbreaker
Description: Paula Richardson Fleming, Photo Archivist, National Anthropological Archives, Smithsonian National Museum of Natural History, 1970–2003, organized exhibitions, authored numerous publications on Native American photography, and lectured around the world. #Groundbreaker
Description: Have you ever wondered why museums choose the exhibition topics they do? These are the kinds of questions that the Smithsonian Institution Archives’ historic records of exhibitions can sometimes help us answer. An idea could stem from the personal interest of a curator, reflect an institution’s holdings, be inspired by comments from a visitor, or be designed around a specific
Description: Linda Edquist, Conservator and Head of Preservation, National Postal Museum, 1993–2018, managed conservation projects, staff, and exhibitions at the museum. Edquist first arrived at the Smithsonian as a Conservation Technician at Smithsonian’s National Museum of American History, 1990–92. #Groundbreaker
Description: Dr. Elizabeth Broun, Director, Smithsonian American Art Museum and the Renwick Gallery, 1989–2016, oversaw major renovations, welcomed groundbreaking exhibitions, and diversified the museum’s collections. She served as the museum’s Chief Curator and Assistant Director, 1983–88. #Groundbreaker