Description: [caption id="" align="aligncenter" width="303" caption="Photographer holding large folding camera, by unidentified photographer, c. 1935, National Museum of American History, Kenneth E. Behring Center, Archives Center."][/caption] Recently photography has said goodbye to two industry icons. Polaroid stopped production of its instant film, and Kodak announced that it is
Description: [caption id="attachment_541" align="alignleft" width="144" caption="Inscription inside Lincoln's watch, by Hugh Talman, 2009, National Museum of American History"][/caption] Does photography always report on the past? Recently, as part of the Lincoln Bicentennial celebration, the Smithsonian took a closer look at a rare Lincoln object that possessed a secret message.
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
Description: Marie Malaro, 1933-2018, entered law in 1957 when few women were admitted to the bar, and then taught generations of museum professionals how law and ethics applied to their work every day.
Description: On June 16, 2006, Smithsonian’s Anacostia Community Museum changed its name for the third time, signaling a renewed focus on local Black history and beyond.
Description: In celebration of Women’s History Month and International Women’s Day, this is the second in a series of installments from Smithsonian Institution Archives staff highlighting women in science photographs. We will post portraits of women science here throughout the month. In a 1930s movie about hotshot newspaper reporters, you might hear the star (Jimmy Cagney, probably) yell
Description: The Smithsonian Transcription Center has grown from individuals to a collaborative community of volunpeers. Here are four ways we see it happening.
Description: [caption id="" align="aligncenter" width="400" caption="Salman Rushdie's archives, featured in an Emory University publication, by Georgia Popplewell, Creative Commons: Attribution-NonCommercial-NoDerivs 2.0 Generic."][/caption] Back in October I talked—with great interest and at length—with Anne Van Camp, director of the Smithsonian Institution Archives, about the various
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