Description: [caption id="" align="aligncenter" width="385" caption="Games, by Axel Tregoning, Creative Commons: Attribution 2.0."][/caption] While some people seem to enjoy fantasizing about doomsday scenarios and the end of the “real” world, a recent piece on Ars Tehchnica’s website makes it clear that virtual worlds don’t last forever, either.
Description: A few days ago, I went to an IMAX 3D showing of Avatar to see for myself if the movie is a “game-changer,” as many have suggested. And, it is, but in a way no one seems to be focusing on—the way it acknowledges and exploits photography’s power to shape both everyday and alternate realities. What struck me, as soon as the movie started, was how sophisticated the film’s
Description: [caption id="" align="alignleft" width="240" caption="I have no hours in the day to watch TV/games. Don't let life go by!!, by National Media Museum, Creative Commons: Attribution 2.0."][/caption] From 2002-2005, a unique archive of video tapes was compiled by the Center on Everyday Lives of Families (CELF) at UCLA, with the goal of studying a relatively new social
Description: [caption id="" align="aligncenter" width="350" caption="Beauty is forever, by Just Warr, Creative Commons: Attribution 2.0 Generic."][/caption] At THE BIGGER PICTURE, we often write about the challenges of maintaining the data in digital archives. But a recent article bundled in the informative daily arts newsletter compiled by Jeff Weiss—you can subscribe by sending a request
Description: Bloggers on The Bigger Picture often describe how, in the course of their work, they come across intriguing archival objects and artifacts that trigger new insights into history. “Hands on” encounters with compelling evidence from the past are thrilling and can be provocative. But so can different sorts of encounters, including those that are driven by data, rather than
Description: [caption id="" align="aligncenter" width="350" caption="Window Necklace, by Hoong Wei Long, Creative Commons: Attribution 2.0."][/caption] For those who continue to believe that bigger is better—that you’re better off, for example, the more megapixels your digital camera delivers—a recent article by Jordan Ellenberg in WIRED magazine suggests the opposite may be true.
Description: [caption id="" align="aligncenter" width="400" caption="A Penmanship sign was located in Boerum Hill and was painted in 1997. It was a faux billboard created by Jerry Johnson of Orange Outdoor Advertising, Photo by Bosc d'Anjou, Creative Commons: Attribution 2.0 Generic."][/caption] A week or so ago, I was looking through documents scanned by the Smithsonian Institution
Description: [caption id="attachment_7261" align="alignleft" width="430" caption="Advertisement on Fifth Avenue in New York City, 2010, Photo courtesy of Marvin Heiferman."][/caption] You’ve probably noticed, in recent years, that in order to attract shoppers’ attention retail establishments have been filling both exterior and interior display spaces with big, colorful, and evocative
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