Description: [caption id="" align="aligncenter" width="430" caption="A crowd of visitors looking at the lunar sample on exhibit in the Rotunda of the Arts and Industries Building soon after it came to the National Air and Space Museum, 1970, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 398, Box 56, Folder 18, Negative Number:
Description: [caption id="" align="aligncenter" width="430" caption="Secretary S. Dillon Ripley (1964-1984) greets Mr. Joseph H. Hirshhorn, founding donor, on opening day of the Hirshhorn Museum and Sculpture Garden, October 4, 1974, by Richard K. Hofmeister, Photographic print, Smithsonian Institution Archives, Record Unit 371 Box 2 Folder November 1974, Negative Number:
Description: [caption id="" align="aligncenter" width="405" caption="Dr. David W. Scott, left, curator and later director of the National Collection of Fine Arts, now the National Museum of American Art, with unidentified person, 1969, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 313 Box 26 Folder 3, Negative Number: 94-4412."][/caption]
Description: [caption id="" align="aligncenter" width="414" caption="Three portraits on exhibit by Portuguese artist Henrique Medina in the lobby of the National Gallery of Art, now the National Museum of American Art, in the Natural History Building, April 13 - May 7, 1938, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 311 Box 36 Folder
Description: [caption id="" align="aligncenter" width="442" caption="Visitors examine Antoine-Louis Barye's "Theseus Slaying the Centaur Biamor" in one of Hirshhorn Museum and Sculpture Garden's ambulatories, 1990, by Rick Vargas, Photographic print, Smithsonian Institution Archives, Accession 98-015 Box 2 Folder August 1990, Negative Number: 90-8838-22."][/caption]
Description: [caption id="" align="aligncenter" width="405" caption="A model showing a mining town with railroad tracks in the foreground, various coal mining buildings, and houses in the background in the United States National Museum, now the Arts and Industries Building, c. 1920, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 285, Box 16,
Description: [caption id="" align="aligncenter" width="293" caption="Aerial view of the Rhode River and the site of the Chesapeake Bay Center for Environmental Studies (CBCES), now known as the Smithsonian Environmental Research Center (SERC), in Edgewater, Maryland, Date unknown, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 549 Box 2
Description: [caption id="" align="aligncenter" width="280" caption="The stairs leading to the south entrance of the National Museum of Natural History after a snow storm with a small path cleared through the snow, c. 1911, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 532, Box 133, Folder: NHB Undated, Negative Number: 26870-B."][/caption]
Description: [caption id="" align="aligncenter" width="430" caption="Ray Dudley, assistant grounds foreman in the Office of Horticulture, gives some Smithsonian Early Enrichment Center pre-schoolers the word on the trees and plants in their playground, He also gave the kids some safety tips--including a warning not to eat holly berries, 1989, by Rick Vargas, Photographic print, Smithsonian
Description: [caption id="" align="aligncenter" width="261" caption="A project participant uses calipers to measure a tree on Barro Colorado Island during Smithsonian Tropical Research Institute (STRI) census, similar to the one in Malaysia, on the biological diversity of tropical rainforests, 1985?, by Carl Hansen, Photographic print, Smithsonian Institution Archives, Accession 98-015 Box
Description: Alcione M. Amos, Curator at the Smithsonian Anacostia Community Museum since 2009, researches the history of post-slavery societies and Afro-Brazilians from West Africa in the nineteenth century. She curated major exhibitions at the museum, such as Word, Shout, Song (2010–2011) and How the Civil War Changed Washington (2015). #Groundbreaker
Description: Alice Green Burnette, Assistant Secretary for Institutional Initiatives, 1989–96, managed the $200 million campaign to build the National Museum of the American Indian in Washington and led marketing efforts for Smithsonian’s 150th anniversary programming. She initially arrived in 1988 as Deputy Assistant Secretary for External Affairs and Coordinator of Institutional