Description: It was, most likely, a foggy day in Oakland in 1882 when Miss Adelia Gates crossed the intersection of 12th and Washington streets and approached the Lemmon Herbarium.At 57, Adelia Gates was an accomplished artist and well-accustomed to new situations. She’d traveled alone to Scandinavia, Mallorca, Italy, and Algeria, and she’d lived in Switzerland while studying watercolor
Description: Dr. Dawn V. Rogala, Paintings Conservator at the Smithsonian Museum Conservation Institute, analyzes and documents modern artists' materials to facilitate better understanding and preservation of modern paintings at the Smithsonian and affiliated museums. #Groundbreaker
Description: To celebrate Black History Month, we’re sharing two recently-digitized video clips featuring exhibitions from the Anacostia Community Museum in the 1980s.
Description: Curator Adelyn Breeskin, National Museum of American Art (now Smithsonian American Art Museum), was one of the 1st women to direct a major art museum (Baltimore Museum of Art) and was a champion of obscure artists in the contemporary art world. #Groundbreaker
Description: [caption id="" align="aligncenter" width="313" caption="Georgia O'Keefe at the Hirshhorn Museum and Sculpture Garden (HMSG) with Rene Magritte's sculpture "Delusions of Grandeur," 11 November 1977, by Richard Farrar, Photographic print, Smithsonian Institution Archives, Record Unit 371 Box 2 Folder December 1977, Negative Number: 92-1789."][/caption] It is always fascinating
Description: [caption id="" align="aligncenter" width="237" caption="Georgia O'Keeffe, 1920, by Alfred Stieglitz, Photographic print, Archives of American Art, Local Number: AAA 440 (fr. 508)."][/caption] I confess, way back when as a student of American Modernism, I was never much interested in Georgia O’Keeffe. I was supposed to be. She was the lone, out-there, woman painter of America;
Description: [caption id="" align="aligncenter" width="350" caption="Beauty is forever, by Just Warr, Creative Commons: Attribution 2.0 Generic."][/caption] At THE BIGGER PICTURE, we often write about the challenges of maintaining the data in digital archives. But a recent article bundled in the informative daily arts newsletter compiled by Jeff Weiss—you can subscribe by sending a request