Description: An Archivists' call-to-action, in song, from the Society of American Archivists, and Garrison Keeler. A new exhibit from the Cooper Hewitt, Smithsonian Design Museum examines clothing waste. [via Hyperallergic]The first curator of Media and Performance Art, Mark Beasely, was appointed at the Hirshhorn. [via Artnet]A new book is out about the team of Harvard female "computers"
Description: Dr. Michèle Gates Moresi, Supervisory Curator of Collections, Smithsonian's National Museum of African American History and Culture, oversaw the acquisition of nearly 37,000 collection objects for the new museum. #Groundbreaker
Description: [caption id="attachment_7367" align="aligncenter" width="417" caption="Slide from Mike Edson, the Smithsonian's head of Web and New Media Strategy, Slideshare presentation on the Smithsonian Commons."][/caption] Just recently, the Smithsonian released a prototype of the Smithsonian Commons—a new part of the digital plan at the Smithsonian that aims to stimulate “learning,
Description: This blog piece is about summer weather in Washington, DC, the Alice Pike Barney collections here at SIA, and the Barney’s “summer cottage” in Bar Harbor, ME, “Ban-y-Bryn.”
Description: In December 1978, Gloria Steinem met with the Smithsonian Institution Women’s Council (SIWC) to advise the group on carrying out the work of change at the Smithsonian and to broaden members’ understanding of the women’s movement. As described by attendees, the conversation was “dynamite…great…wonderful.” One member expressed her surprise at finding Steinem so agreeable;
Description: At the 1996 Festival of American Folklife, Smithsonian staff and volunteers conducted oral history interviews with colleagues about their memories of working for the Smithsonian. To celebrate the Smithsonian’s 175th anniversary, we’re sharing clips from three of those interviews.
Description: Opening on April 6, 2018, A box of ten photographs highlights the portfolio of Diane Arbus, an American photographer known for her black-and-white images of marginalized individuals, including the mentally ill, circus performers, and transgender people. The exhibition, at the Smithsonian American Art Museum (SAAM) until January 21, 2019, traces the history of Arbus's
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