Description: Whether you have a little downtime or you wish you remembered what downtime was like, the Archives is here for you with a few distance learning activities and organization tips.
Description: [caption id="" align="aligncenter" width="410" caption=""The Ranger Burial," a special exhibition of Western sculptures by Harry Jackson by the National Collection of Fine Arts, now the National Museum of American Art, in the lobby of the Natural History Building, February 10 - March 8, 1964, by Unknown photographer, Photographic print, Smithsonian Institution Archives Record
Description: [caption id="" align="aligncenter" width="253" caption="Storage area for the National Collection of Fine Arts, now the National Museum of American Art, while still in the Natural History Building, October 1964, by Unknown photographer, Photographic print, Smithsonian Institution Archives, Record Unit 313 Box 48 Folder 3, Negative Number: 94-4420."][/caption]
Description: [caption id="" align="aligncenter" width="412" caption="David Scott, Harry Lowe, and Harold Cross restore a Stuart Davis mural at the National Collection of Fine Arts, now the National Museum of American Art, 1965, by Unknown photographer, Photographic print, Smithsonian Institution Archives, Record Unit 314 Box 30 Folder 1, Negative Number: 95-20301."][/caption]
Description: [caption id="" align="aligncenter" width="405" caption="Dr. David W. Scott, left, curator and later director of the National Collection of Fine Arts, now the National Museum of American Art, with unidentified person, 1969, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 313 Box 26 Folder 3, Negative Number: 94-4412."][/caption]
Description: I was reading one of Holland Cotter’s reviews of an art exhibition in the New York Times a couple of weeks ago, when I came across a description of a show that was about to close and wished I’d been able to see. At a space run by the Esopus Foundation, Bob Warner, a New York artist and optician, was opening, one box at a time, the cartons of material that another artist, Ray