Description: [caption id="" align="aligncenter" width="350" caption="Natural Gas Fracing, by Melissa Peffs."][/caption] Photography is valued for, among other things, seeing what the human eye cannot. From medical scans to red light cameras to artworks made by image makers offering up new perspectives, photography reminds us that there’s always more to observe than we’re physically able to
Description: Savage Beauty, the posthumous and retrospective exhibition of women’s fashions designed by Alexander McQueen (1969–2010) at New York’s Metropolitan Museum of Art closed early in August. The record breaking event—an official attendance count of 661,509 visitors made it the eighth biggest show in the museum’s history—featured approximately one hundred ensembles drawn, primarily,
Description: The Smithsonian Institution Archives will be celebrating African American History Month throughout February with a series of related posts on THE BIGGER PICTURE. When I interviewed Lonnie Bunch, director of the Smithsonian’s National Museum of African American History and Culture, as part of the Smithsonian Photography Initiative’s online project click! photography changes
Description: [caption id="" align="aligncenter" width="420" caption="Heard Museum Gift Shop, by Daniel Greene, Creative Commons: Attribution 2.0."][/caption] [caption id="" align="alignright" width="216" caption="Slide Carousel: Loading Slides into the Carousel 5, by rosefirerising, Creative Commons: Attribution 2.0."][/caption] How does photography change the ways we look and learn about
Description: [caption id="" align="aligncenter" width="331" caption="14th Street and Broadway, NYC (man with goggles), 1947, by Louis Faurer, Smithsonian American Art Museum, Gift of anonymous donors, 2007.40.61 "][/caption] Earlier this month, Google introduced the Beta and Android-based version of the new and, for some, startling photo-based search feature they’ve calling Google Goggles.
Description: [caption id="" align="aligncenter" width="313" caption="Georgia O'Keefe at the Hirshhorn Museum and Sculpture Garden (HMSG) with Rene Magritte's sculpture "Delusions of Grandeur," 11 November 1977, by Richard Farrar, Photographic print, Smithsonian Institution Archives, Record Unit 371 Box 2 Folder December 1977, Negative Number: 92-1789."][/caption] It is always fascinating
Description: Periodically—given the fleeting nature of life and the ubiquity of photographic imagery—it’s seems like someone’s always trying to hatch another ambitious image-based cultural project to prove that, despite our differences, we’re pretty all much the same.
Description: [caption id="" align="aligncenter" width="403" caption="Untitled, 2001, by Susan Watts, Digital photograph, National Museum of American History, Behring Center, Division of Information Technology and Communications, Courtesy of Susan Watts/New York Daily News, Image No. watts012."][/caption] Given how quickly photographs are spread by the news and social media, we’ve come to
Description: [caption id="" align="aligncenter" width="222" caption="In the City Where Nobody Cares, by unidentified photographer, 1910, National Museum of American History, Behring Center, Archives Center."][/caption] A couple of years ago, as soon as Google’s Street View application was introduced, it generated worldwide controversy. Ground-level photographic images, shot from cameras
Description: [caption id="" align="aligncenter" width="400" caption="Marey Wheel Photographs of Unidentified Model, with Eadweard Muybridge Notations, by Thomas Eakins, 1884, Hirshhorn Museum and Sculpture Garden."][/caption] Please be aware that some of the photographs included in links within this post may contain graphic and emotionally disturbing material. Which are more powerful,
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