Description: Among the many photos in the Archives' collections are images from the Panamanian island, Coiba, where former Smithsonian Secretary Alexander Wetmore, conducted ornithological research. We've featured some of these images on the blog before, and I always wondered about their captions, which mentioned that Coiba was a penal colony.
Description: Link Love: a weekly post with links to interesting videos and stories about archival issues, technology and culture, and Washington D.C. and American history.
Description: Did you know April is Records and Information Management Month? Did you also know that the Smithsonian Institution has over 154 million objects, 10 million digital records, and 156,830 cubic feet of archival materials in its collections? It is mostly thanks to amazing record keeping that we are able to locate, care, and give access to millions of fascinating objects.We look at
Description: Posters at the Smithsonian display a wide range of exhibitions and programs, each with a design that is visually intriguing and purposeful in conveying information.
Description: Have a little fun with images from our collections that have been designated as open access. Anyone can now download, transform, share, and reuse millions of images as part of Smithsonian Open Access.
Description: [caption id="" align="aligncenter" width="392" caption="Miss Gloria Smith (Wedding) Deluxe Wedding Album, June 24,1956, by Scurlock Studio (Washington, D.C.), Cellulose acetate photonegative, Scurlock Studio Records, ca. 1905-1994, Archives Center, National Museum of American History, Call No. 0618.278269."][/caption] If events are heavily promoted as being once-in-a-lifetime
Description: The Smithsonian Institution Archives manages the cold storage vault at the National Museum of American History where approximately 3 million negatives are stored.
Description: When I started working with museums in 2005, the concept of crowdsourcing was in its infancy. That year, James Surowiecki ‘s book, “The Wisdom of Crowds,” was published and there were tiny experiments in crowdsourcing occurring in the cultural heritage sector. There were hesitations and objections about the whole concept within the GLAM (gallery, library, archive, museum)
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