Description: In a world drowning in images, where we swipe past photos of friends, relatives, and selves in mere seconds, a set of remarkable portraits taken in the 1910s and 1920s by Julian Papin Scott (1877-1961) deserve more considered attention. Sometimes, his subjects appear immersed in work, surrounded by microscopes, beakers, or stacks of books, as if unaware of the photographer.
Description: As a postdoctoral fellow at the National Museum of American History, I’ve spent months in the Smithsonian Institution Archives researching a book tentatively titled, Not Naturally a Grass Country: Environment, Plant Genetics, and the Quest for Agricultural Modernization in the Humid World. It’s largely a story about global attempts to replace one form of agriculture—the
Description: The historical legacy of amatuer photographer Julian Papin Scott (1877-1961) is far greater than was acknowledged at the time, because of both who he photographed and how he set up the images.
Description: [edan-image:id=siris_arc_287602,size=250,left]As a child in England in the 1930s, Oliver Sacks enjoyed playing with his Uncle Abe’s spinthariscope. It was, he would later recall, “a beautifully simple instrument, consisting of a fluorescent screen and a magnifying eyepiece, and inside, an infinitesimal speck of radium.We take a look at the spinthariscope at the Smithsonian.
Description: From April 7-18, 2014, JA Pryse was in residence with the Smithsonian Institution Archives fulfilling the Smithsonian Affiliations Visiting Professional Program fellowship awarded in January of this year. Over the information packed two weeks a number of innovative digital processes were gathered which are valuable to the Oklahoma Historical Society Research Division’s present
Description: On the evening of October 1, 1847, while using a small telescope on the roof of the family home, Maria Mitchell (1818-1889) spotted a comet where one had not been before. Word of this achievement spread quickly through the scientific community. The American Journal of Science declared her “the first American entitled to the honor of the original discovery of a comet.” Some
Description: I was reading one of Holland Cotter’s reviews of an art exhibition in the New York Times a couple of weeks ago, when I came across a description of a show that was about to close and wished I’d been able to see. At a space run by the Esopus Foundation, Bob Warner, a New York artist and optician, was opening, one box at a time, the cartons of material that another artist, Ray