Description: [caption id="attachment_2167" align="aligncenter" width="185" caption="Biddle at work on Society Freed through Justice in the Justice Department Building, Washington, D.C. Photographer unknown. Federal Art Project, Photographic Division collection, 1935-1942. Archives of American Art."][/caption] This Monday, as we observe Labor Day in the midst of a serious economic
Description: Late 2015, the beta version of the Smithsonian’s Learning Lab, a new digital platform providing access to digital resources across the Smithsonian alongside tools for teachers and students, launched. I was delighted to see a related social media update hinting at some of the discoveries to be had with the Learning Lab, one of which showed Saul Steinberg drawings on Smithsonian
Description: In honor of MayDay – Do One Thing for Emergency Preparedness, 2014, here is an item of interest about a new group at the Smithsonian called Preparation and Response in Collections Emergencies (PRICE) and resources on Incident Command in emergencies for cultural heritage organizations.
Description: In addition to physical damage and deterioration of storage media, the technological complexity and dependency of electronic records make them uniquely vulnerable to loss, corruption, and alteration (both accidental and malicious). To achieve long-term preservation of fragile born-digital materials, digital archivists need a plan.
Description: To celebrate the season, we have a series of posts looking at images of summer in the Smithsonian photo archives and collections. To start things off, Mary Savig, Archives Specialist at the Archives of American Art, describes how artists recharged in the summer months. Like eager vacationers everywhere, artists have long escaped to the beach on hot summer days. The shore
Description: [caption id="" align="aligncenter" width="237" caption="Georgia O'Keeffe, 1920, by Alfred Stieglitz, Photographic print, Archives of American Art, Local Number: AAA 440 (fr. 508)."][/caption] I confess, way back when as a student of American Modernism, I was never much interested in Georgia O’Keeffe. I was supposed to be. She was the lone, out-there, woman painter of America;
Description: [caption id="attachment_8083" align="aligncenter" width="336" caption="The mysterious cabinet of curiosities with assorted film cameras perched on top, 2010, by Michael Barnes, SIA."][/caption] Last fall a piece of furniture showed up in the Smithsonian Institution Archives (SIA) reception area. Aside from a few nicks, it is a large, handsome cabinet with drawers and double
Description: The Hungerford Deed split an inherited estate between two sisters—but what do we know about those properties? We’ve dug deep into one of them here.
Description: Opening on April 6, 2018, A box of ten photographs highlights the portfolio of Diane Arbus, an American photographer known for her black-and-white images of marginalized individuals, including the mentally ill, circus performers, and transgender people. The exhibition, at the Smithsonian American Art Museum (SAAM) until January 21, 2019, traces the history of Arbus's
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