Description: [caption id="" align="aligncenter" width="313" caption="Georgia O'Keefe at the Hirshhorn Museum and Sculpture Garden (HMSG) with Rene Magritte's sculpture "Delusions of Grandeur," 11 November 1977, by Richard Farrar, Photographic print, Smithsonian Institution Archives, Record Unit 371 Box 2 Folder December 1977, Negative Number: 92-1789."][/caption] It is always fascinating
Description: [caption id="" align="aligncenter" width="420" caption="Heard Museum Gift Shop, by Daniel Greene, Creative Commons: Attribution 2.0."][/caption] [caption id="" align="alignright" width="216" caption="Slide Carousel: Loading Slides into the Carousel 5, by rosefirerising, Creative Commons: Attribution 2.0."][/caption] How does photography change the ways we look and learn about
Description: [caption id="" align="aligncenter" width="251" caption="Untitled, 1890, by Thomas Smillie, Cyanotype, Smithsonian Institution Archives, Thomas Smillie Collection (Record Unit 95), Image ID: RU95_Box77_0021."][/caption] It’s inevitable. Whenever someone tries to recount or evoke photography’s impact on visual culture when Daguerreotypes were introduced in 1839, a statement
Description: Savage Beauty, the posthumous and retrospective exhibition of women’s fashions designed by Alexander McQueen (1969–2010) at New York’s Metropolitan Museum of Art closed early in August. The record breaking event—an official attendance count of 661,509 visitors made it the eighth biggest show in the museum’s history—featured approximately one hundred ensembles drawn, primarily,
Description: While the economy may be perking up, the recession we’re still climbing out of has made one thing clear; if you need to earn a living, you’ve got to think entrepreneurially. Read enough success stories about former executives who’ve become cupcake moguls and a path becomes clear: take the dreams and skills you have, along with whatever compelling back story you can point to
Description: Traditionally, when families gather for end-of-the-year holiday events, reminiscences are shared, new photos and videos get made, and/or old snapshots, home movies, and memories resurface. And while most family narratives are revisited in intimate settings, around kitchen tables or in living rooms, a handful may reach broader audiences, through one set of circumstances or
Description: [caption id="" align="alignleft" width="181" caption="Edmonia Lewis, National Portrait Gallery"][/caption] In Kodak and the Lens of Nostalgia (2000), Nancy Martha West describes how the company—marketing the first box cameras in the 1890s—aggressively targeted female consumers, hoping they’d “see photography not only as a necessary component of domestic life but as an integral