Reference Request
Finding Aids to Official Records of the Smithsonian Institution Archives
Accession 10-200
National Museum of the American Indian. Office of Education and Public Programs. Media Development Department
Project Files, 1991-2006
Collection Overview
| General Information About This Collection | |
|---|---|
| Repository: | Smithsonian Institution Archives, Washington, D.C. Contact us at osiaref@si.edu. |
| Creator: | National Museum of the American Indian. Office of Education and Public Programs. Media Development Department |
| Title: | Project Files |
| Dates: | 1991-2006 |
| Quantity: | 15 cu. ft. (15 record storage boxes) |
| Collection: | Accession 10-200 |
| Language of Materials: | English |
| Summary: | This accession consists of audiovisual recordings created for exhibitions at the National Museum of the American Indian, George Gustav Heye Center. Exhibitions documented include "All Roads Are Good: Native Voices on Life and Culture," "Listening to Our Ancestors: The Art of Native Life Along the North Pacific Coast," and "New York: New Tribe." Some materials were created when the Media Development Department was known as the Exhibits Media Office. Materials include VHS tapes, U-matic tapes, Betacam-SP tapes, Hi-8 tapes, miniDV tapes, DAT tapes, audiocassettes, and a compact disc. Some materials are in electronic format. |
Descriptive Entry
This accession consists of audiovisual recordings created for exhibitions at the National Museum of the American Indian, George Gustav Heye Center. Exhibitions documented include All Roads Are Good: Native Voices on Life and Culture, Listening to Our Ancestors: The Art of Native Life Along the North Pacific Coast, and New York: New Tribe. Some materials were created when the Media Development Department was known as the Exhibits Media Office. Materials include VHS tapes, U-matic tapes, Betacam-SP tapes, Hi-8 tapes, miniDV tapes, DAT tapes, audiocassettes, and a compact disc.
Restrictions
Use RestrictionRestricted for 15 years, until Jan-01-2022; Transferring office; 08/25/2009 memorandum, Toda to Davis; Contact reference staff for details.
Index Terms
This collection is indexed under the following access terms. These are links to collections with related topics, persons or places.
Name
- All Roads Are Good: Native Voices on Life and Culture (Exhibition) (1994-2000: New York, N.Y.)
- Listening to Our Ancestors: The Art of Native Life Along the North Pacific Coast (Exhibition) (2007-2008: New York, N.Y.)
- National Museum of the American Indian (U.S.). Exhibits Media Office
- National Museum of the American Indian (U.S.). George Gustav Heye Center
- New York: New Tribe (Exhibition) (2005-2006: New York, N.Y.)
Subject
Physical Characteristics of Materials in the Collection
Administrative Information
Preferred Citation
Smithsonian Institution Archives, Accession 10-200, National Museum of the American Indian. Office of Education and Public Programs. Media Development Department, Project Files
Container List
Box 1
All Roads Are Good: Native Voices on Life and Culture; August 1, 1994-August 1, 2000; George Gustav Heye Center, New York (NOTE: Known as "All Roads Are Good" AKA "ARAG" AKA "Points of View" AKA "POV")
VHS videotapes - 166 items
463; All Roads Are Good aka POV; Selectors Second Round; 1 A+B with visual time code; 12/17/1991; New York, New York (NY)
464; All Roads Are Good aka POV; Selectors Second Round; 2 A+B with visual time code; 12/17/1991; New York, NY
465; All Roads Are Good aka POV; Selectors Second Round; 3 A+B with visual time code; 12/17/1991; New York, NY
466; All Roads Are Good aka POV; Selectors Second Round; 4 A+B with visual time code; 12/17/1991; New York, NY
467; All Roads Are Good aka POV; Selectors Second Round (12/17/1991 and 12/18/1991); 5 A+B with visual time code; 12/1991; New York, NY
468; All Roads Are Good aka POV; Selectors Second Round; 6 A+B with visual time code; 12/18/1991; New York, NY
469; All Roads Are Good aka POV; Selectors Second Round; 7 A+B with visual time code; 12/18/1991; New York, NY
470; All Roads Are Good aka POV; Selectors Second Round; 8 A+B with visual time code; 12/18/1991; New York, NY
471; All Roads Are Good aka POV; Selectors Second Round; 9 A+B with visual time code; 12/18/1991; New York, NY
472; All Roads Are Good aka POV; Selectors Second Round; 10 A+B with visual time code; 12/17/1991; New York, NY
473; All Roads Are Good aka POV; Selectors Second Round; 1 A+B & 2 A+B with visual time code; 12/17/1991; New York, NY
474; All Roads Are Good aka POV; Selectors Second Round; 3 A+B & 4 A+B with visual time code; 12/17/1991; New York, NY
475; All Roads Are Good aka POV; Selectors Second Round (12/17/1991 and 12/18/1991); 5 A+B and 6 A+B with visual time code; 12/1991; New York, NY
476; All Roads Are Good aka POV; Selectors Second Round; 7 A+B and 8 A+B with visual time code; 12/18/1991; New York, NY
477; All Roads Are Good aka POV; Selectors Second Round; 9 A+B and 10 A+B with visual time code; 12/18/1991; New York, NY
493; All Roads Are Good aka POV; Selectors Second Round; Tape 1 with visual time code; 1/14/1992; New York, NY
494; All Roads Are Good aka POV; Selectors Second Round; Tape 2 with visual time code; 1/14/1992; New York, NY
495; All Roads Are Good aka POV; Selectors Second Round; Tape 3 with visual time code; 1/14/1992; New York, NY
496; All Roads Are Good aka POV; Selectors Second Round; Tape 4 with visual time code; 1/14/1992; New York, NY
497; All Roads Are Good aka POV; Selectors Second Round; Tape 5 with visual time code; 1/14/1992; New York, NY
519; All Roads Are Good aka POV; Selectors Second Round; Tape 6 with visual time code; 1/15/1992; New York, NY
520; All Roads Are Good aka POV; Selectors Second Round; Tape 7 with visual time code; 1/15/1992; New York, NY
521; All Roads Are Good aka POV; Selectors Second Round; Tape 8 with visual time code; 1/15/1992; New York, NY
522; All Roads Are Good aka POV; Selectors Second Round; Tape 9 with visual time code; 1/15/1992; New York, NY
523; All Roads Are Good aka POV; Selectors Second Round; Tape 10 with visual time code; 1/15/1992; New York, NY
524; All Roads Are Good aka POV; Selectors Second Round (1/15/1992 and 1/16/1992); Tape 11 with visual time code; 1/1992; New York, NY
525; All Roads Are Good aka POV; Selectors Second Round; Tape 12 with visual time code; 1/16/1992; New York, NY
526; All Roads Are Good aka POV; Selectors Second Round; Tape 13 with visual time code; 1/16/1992; New York, NY
527; All Roads Are Good aka POV; Selectors Second Round; Tape 14 with visual time code; 1/16/1992; New York, NY
528; All Roads Are Good aka POV; Selectors Second Round; Tape 15 with visual time code; 1/16/1992; New York, NY
529; All Roads Are Good aka POV; Selectors Second Round (1/16/1992 and 1/17/1992); Tape 16 with visual time code; 1/1992; New York, NY
530; All Roads Are Good aka POV; Selectors Second Round; Tape 17 with visual time code; 1/17/1992; New York, NY
531; All Roads Are Good aka POV; Selectors Second Round; Tape 18 with visual time code; 1/17/1992; New York, NY
532; All Roads Are Good aka POV; Selectors Second Round; Tape 19 with visual time code; 1/17/1992; New York, NY
533; All Roads Are Good aka POV; Selectors Second Round; Tape 20 with visual time code; 1/17/1992; New York, NY
534; All Roads Are Good aka POV; Selectors Second Round; Tape 21 with visual time code; 1/17/1992; New York, NY
535; All Roads Are Good aka POV; Selectors Second Round; Tape 22 with visual time code; 1/17/1992; New York, NY
Box 2
536; All Roads Are Good aka POV; Selectors Second Round; Tape 23 with visual time code; 1/17/1992; New York, NY
537; All Roads Are Good aka POV; Selectors Second Round; 1 A+B and 2 A+B with visual time code; 1/14/1992; New York, NY
538; All Roads Are Good aka POV; Selectors Second Round; 3 A+B and 4 A+B with visual time code; 1/14/1992; New York, NY
539; All Roads Are Good aka POV; Selectors Second Round (1/14/1992 and 1/15/1992); 5 A+B and 6 A+B with visual time code; 1/1992; New York, NY
540; All Roads Are Good aka POV; Selectors Second Round; 7 A+B and 8 A+B with visual time code; 1/15/1992; New York, NY
541; All Roads Are Good aka POV; Selectors Second Round; 9 A+B and 10 A+B with visual time code; 1/15/1992; New York, NY
542; All Roads Are Good aka POV; Selectors Second Round (1/15/1992 and 1/16/1992); 11 A+B & 12 A+B with visual time code; 1/1992; New York, NY
543; All Roads Are Good aka POV; Selectors Second Round; 13 A+B and 14 A+B with visual time code; 1/16/1992; New York, NY
544; All Roads Are Good aka POV; Selectors Second Round; 15 A+B and 16 A+B with visual time code; 1/16/1992; New York, NY
545; All Roads Are Good aka POV; Selectors Second Round (1/16/1992 and 1/17/1992); 17 A+B & 18 A+B with visual time code; 1/1992; New York, NY
546; All Roads Are Good aka POV; Selectors Second Round; 19 A+B and 20 A+B with visual time code; 1/17/1992; New York, NY
547; All Roads Are Good aka POV; Selectors Second Round; 21 A+B and 22 A+B and 23 A+B with visual time code; 1/17/1992; New York, NY
548; All Roads Are Good aka POV; Selectors Second Round; 24 A+B and 25 A+B with visual time code; 1/17/1992; New York, NY
549; All Roads Are Good aka POV; Selectors Second Round; 4 A+B with visual time code; 12/17/1991; New York, NY
966; All Roads Are Good aka POV; Selector Clips (14 minutes) Abe Conklin, Gerald McMaster, Emil Her Many Horses, Lloyd Kiva New, Richard Milanovich, Edgar Perry, Linda Poolaw, Joe Medicine Crow; Master
967; All Roads Are Good aka POV; Selector Clips (14 minutes) Abe Conklin, Gerald McMaster, Emil Her Many Horses, Lloyd Kiva New, Richard Milanovich, Edgar Perry, Linda Poolaw, Joe Medicine Crow; Copy 1
968; All Roads Are Good aka POV; Nancy Interview with Puwainchir and the Shuar Tsenkush; 7/18/1991
969; All Roads Are Good aka POV; Indian Touch Screen Samples; Work edits for media installation (touch screen); 9/22/1994
970; All Roads Are Good aka POV; Interactive Rough Cuts 1; Work edits for media installation (touch screen)
971; All Roads Are Good aka POV; Monitor Rough Cuts 1; Work edits for media installation (touch screen); 6/8/1994
972; All Roads Are Good aka POV; Introduction Rough Edits #1 & Choice Screens (3); Work edits for media installation (touch screen)
973; All Roads Are Good aka POV; Non-English Interactive Rough Edits; Work edits for media installation (touch screen)
974; All Roads Are Good aka POV; Projection Rough Edits; Work edits for media installation (touch screen)
975; All Roads Are Good aka POV; Interactive Rough Cuts; Work edits for media installation (touch screen)
976; All Roads Are Good aka POV; Interactive Rough Cuts 2; Work edits for media installation (touch screen)
1296; All Roads Are Good aka POV; Abe Conklin; Emil Her Many Horses; Tape 1 with visual time code; 6/27/1991; New York, NY
1297; All Roads Are Good aka POV; Abe Conklin; Linda Poolaw; Tape 2 with visual time code; 6/27/1991; New York, NY
1298; All Roads Are Good aka POV; Linda Poolaw; Emil Her Many Horses; Tape 3 with visual time code; 6/28/1991; New York, NY
1299; All Roads Are Good aka POV; Group and Poolaw Interview; Tape 4 with visual time code; 6/28/1991; New York, NY
1300; All Roads Are Good aka POV; Hautta and Cruz; Palafox; Tape 5 with visual time code; 7/11/1991; New York, NY
1301; All Roads Are Good aka POV; Olivares and Krafft-Sapchep; Arias and Hernandez; Tape 6 with visual time code; 07/11-12/1991; New York, NY
1302; All Roads Are Good aka POV; Arias and Hernandez; Tape 7 with visual time code; 7/12/1991; New York, NY
Box 3
1303; All Roads Are Good aka POV; Huanca, Fernandez, Sundt and de Montano; Huatta and Cruz; Tape 8 with visual time code; 7/12/1991; New York, NY
1304; All Roads Are Good aka POV; Huatta and Cruz; Tape 9 with visual time code; 7/12/1991; New York, NY
1305; All Roads Are Good aka POV; Shuar (Tsenkush and Puwaincher); Tape 10 with visual time code; 7/18/1991; New York, NY
1306; All Roads Are Good aka POV; Joe Medicine Crow; Tape 11 with visual time code; 7/31/1991; New York, NY
1307; All Roads Are Good aka POV; Conrad House Interview; Joe Medicine Crow Interview; Tape 12 with visual time code; 7/31/1991; New York, NY
1308; All Roads Are Good aka POV; Joe Medicine Crow Interview; Tape 13 with visual time code; 7/31/1991; New York, NY
1309; All Roads Are Good aka POV; D.Y. Begay; Richard Milanovich; Tape 14 with visual time code; 8/2/1991; New York, NY
1310; All Roads Are Good aka POV; Richard Milanovich Interview; Tape 15 with visual time code; 8/2/1991; New York, NY
1311; All Roads Are Good aka POV; Conrad House; Tape 16 with visual time code; 8/2/1991; New York, NY
1312; All Roads Are Good aka POV; Lloyd Kiva New; Tape 17 with visual time code; 8/21/1991; New York, NY
1313; All Roads Are Good aka POV; Lloyd Kiva New; Tape 18 with visual time code; 8/21/1991; New York, NY
1314; All Roads Are Good aka POV; John Kim Bell Interview; Tape 19 with visual time code; 8/22/1991; New York, NY
1315; All Roads Are Good aka POV; Earl Nyholm; Tape 20 with visual time code; 8/22/1991; New York, NY
1316; All Roads Are Good aka POV; Earl Nyholm; Tape 21 with visual time code; 08/22-23/1991; New York, NY
1317; All Roads Are Good aka POV; Tom Hill; Tape 22 with visual time code; 8/23/1991; New York, NY
1318; All Roads Are Good aka POV; Tom Hill Interview; Earl Nyholm Interview; Tape 23 with visual time code; 8/23/1991; New York, NY
1319; All Roads Are Good aka POV; Earl Nyholm Interview with Gary Galante; Tape 24 with visual time code; 8/23/1991; New York, NY
1425; All Roads Are Good aka POV; Gerald Mc Master; Susye Billy; Tape 25; 6/14/1991; New York, NY
1426; All Roads Are Good aka POV; Susye Billy; Edgar Perry; Tape 26; 6/14/1991; New York, NY
1427; All Roads Are Good aka POV; Susye Billy; Edgar Perry; Gerald McMaster (from camera original R3); Tape 27; 6/14/1991; New York, NY
1437; All Roads Are Good aka POV; Points of View - "Meeting the Selectors," Edited excerpts from video shoot 6/9 - 8/1991; 9/20/1991; New York, NY
1438; All Roads Are Good aka POV; Points of View - "Meeting the Selectors," Edited excerpts from video shoot 6/9 - 8/1991; 9/20/1991; New York, NY
1440; All Roads Are Good aka POV; 1st Group Selectors: Susye Billy; Edgar Perry; Gerald McMaster; R1; 6/13/1991; New York, NY
1441; All Roads Are Good aka POV; 1st Group Selectors: Susye Billy; Edgar Perry; Gerald McMaster; R1; 6/13/1991; New York, NY
1442; All Roads Are Good aka POV; 1st Group Selectors: Gerald McMaster; Edgar Perry; R2; 6/14/1991; New York, NY
1443; All Roads Are Good aka POV; 1st Group Selectors: Gerald McMaster; Edgar Perry; R2; 6/14/1991; New York, NY
1445; All Roads Are Good aka POV; 1st Group Selectors: Gerald McMaster; Susye Billy; Edgar Perry; R3; 6/14/1991; New York, NY
1446; All Roads Are Good aka POV; 1st Group Selectors: Gerald McMaster; Susye Billy; Edgar Perry; R3; 6/14/1991; New York, NY
1448; All Roads Are Good aka POV; 2nd Group Selectors: Abe Conklin; Emil Her Many Horses; R4; 6/27/1991; New York, NY
1450; All Roads Are Good aka POV; 2nd Group Selectors: Abe Conklin; Emil Her Many Horses; R4; 6/27/1991; New York, NY
Box 4
1451; All Roads Are Good aka POV; 2nd Group Selectors: Abe Conklin; Linda Poolaw; R5; 6/27/1991; New York, NY
1452; All Roads Are Good aka POV; 2nd Group Selectors: Abe Conklin; Linda Poolaw; R5; 6/27/1991; New York, NY
1453; All Roads Are Good aka POV; 2nd Group Selectors: Linda Poolaw: Emil Her Many Horses; R6; 6/28/1991; New York, NY
1454; All Roads Are Good aka POV; 2nd Group Selectors: Linda Poolaw: Emil Her Many Horses; R6; 6/28/1991; New York, NY
1456; All Roads Are Good aka POV; 2nd Group Selectors: Linda Poolaw: Abe Conklin; R7; 6/28/1991; New York, NY
1457; All Roads Are Good aka POV; 2nd Group Selectors: Linda Poolaw: Abe Conklin; R7; 6/28/1991; New York, NY
1459; All Roads Are Good aka POV; 3rd Group Selectors: Huatta and Curz; Palafox; Olivares and Krafft; Arias and Hernandez; R8; 7/11/1991; New York, NY
1460; All Roads Are Good aka POV; 3rd Group Selectors: Huatta and Curz; Palafox; Olivares and Krafft; Arias and Hernandez; R8; 7/11/1991; New York, NY
1462; All Roads Are Good aka POV; 3rd Group Selectors: Arias and Hernandez; Huanca, Fernandez, Sundt and Montano; Huatta and Cruz; R9; 7/12/1991; New York, NY
1463; All Roads Are Good aka POV; 3rd Group Selectors: Arias and Hernandez; Huanca, Fernandez, Sundt and Montano; Huatta and Cruz; R9; 7/12/1991; New York, NY
1464; All Roads Are Good aka POV; 3rd Group Selectors: Huatta and Cruz; R10; 7/12/1991; New York, NY
1465; All Roads Are Good aka POV; 3rd Group Selectors: Huatta and Cruz; Puwainchir and Tsenkush (The Shuar); R10+R 11; 7/12/1991; 7/19/1991; New York, NY
1466; All Roads Are Good aka POV; 3rd Group Selectors: Puwainchir and Tsenkush (The Shuar); R 11; 7/19/1991; New York, NY
1467; All Roads Are Good aka POV; 3rd Group Selectors: Puwainchir and Tsenkush (The Shuar); R 11; 7/19/1991; New York, NY
1468; All Roads Are Good aka POV; 4th Group Selectors: Joe Medicine Crow; Conrad House; R 12; 7/31/1991; New York, NY
1469; All Roads Are Good aka POV; 4th Group Selectors: Joe Medicine Crow; Conrad House; R 12; 7/31/1991; New York, NY
1470; All Roads Are Good aka POV; 4th Group Selectors: D. Y. Begay; Richard Milanovich; R 13; 8/2/1991; New York, NY
1471; All Roads Are Good aka POV; 4th Group Selectors: D. Y. Begay; Richard Milanovich; R 13; 8/2/1991; New York, NY
1472; All Roads Are Good aka POV; 4th Group Selectors: Conrad House; R 14; 8/2/1991; New York, NY
1473; All Roads Are Good aka POV; 4th Group Selectors: Conrad House; R 14; 8/2/1991; New York, NY
1474; All Roads Are Good aka POV; 5th Group Selectors: Lloyd Kiva New; R 15; 8/21/1991; New York, NY
1475; All Roads Are Good aka POV; 5th Group Selectors: Lloyd Kiva New; R 15; 8/21/1991; New York, NY
1476; All Roads Are Good aka POV; 5th Group Selectors: Lloyd Kiva New; R 15; 8/21/1991; New York, NY
1477; All Roads Are Good aka POV; 5th Group Selectors: John Kim Bell; Earl Nyholm; R 16; 8/22/1991; New York, NY
1478; All Roads Are Good aka POV; 5th Group Selectors: John Kim Bell; Earl Nyholm; R 16; 8/22/1991; New York, NY
1480; All Roads Are Good aka POV; 5th Group Selectors: Earl Nyholm; Thomas Hill; R 17; 8/22/1991; New York, NY
1481; All Roads Are Good aka POV; 5th Group Selectors: Earl Nyholm; Thomas Hill; R 17; 8/22/1991; New York, NY
1482; All Roads Are Good aka POV; 5th Group Selectors: Earl Nyholm; Thomas Hill; R 17; 8/22/1991; New York, NY
1483; All Roads Are Good aka POV; 5th Group Selectors: Thomas Hill; Earl Nyholm; R 18; 8/23/1991; New York, NY
1485; All Roads Are Good aka POV; 5th Group Selectors: Thomas Hill; Earl Nyholm; R 18; 8/23/1991; New York, NY
1486; All Roads Are Good aka POV; 5th Group Selectors: Thomas Hill; Earl Nyholm; R 18; 8/23/1991; New York, NY
1487; All Roads Are Good aka POV; Gerald McMaster Speaks; #1 with visual time code
Box 5
1488; All Roads Are Good aka POV; Gerald McMaster Speaks; #2 with visual time code
1489; All Roads Are Good aka POV; Gerald McMaster Speaks; #3
1490; All Roads Are Good aka POV; Susye Billy; Edgar Perry; Gerald McMaster; with visual time code; from camera original labeled R#; 6/13/1991; New York, NY
1770; All Roads Are Good aka POV; Interactive video discs 1+ 4; New York, NY
1771; All Roads Are Good aka POV; Interactive video discs 2+3; New York, NY
2153; All Roads Are Good aka POV; Millie Seubert; 5/7/1991
2154; All Roads Are Good aka POV; Introduction to the Research Branch for Selectors, entitled "National Museum of the American Indian Research Branch," running time 11:00 minutes; 1991; New York, NY
2164; All Roads Are Good aka POV; 1st Group Selectors: Susye Billy; Edgar Perry; Gerald McMaster; R1; 6/13/1991; New York, NY
Lloyd Kiva New interview - Dub from Hi-8; 11/9/1995
Lloyd Kiva New, Dorothy and Margo - Continued discussion of fashion and hats; Reels 2A and 2B; 12/19/1991
The following is a reference set of edited interviews that was intended to add context to the selectors' commentary in the exhibition, All Roads are Good, and provide a more in-depth introduction to them as individuals and as members of a particular cultural group or groups.
Tape 1: Susan Billy working, Edgar Perry working, Gerald McMaster working
Tape 2: Gerald McMaster interview, Susan Billy interview
Tape 3: Susan Billy interview continued, Edgar Perry interview
Tape 4: Abe Conklin working, Emil Her Many Horses working, Emil Her Many Horses interview
Tape 5: Abe Conklin interview, Linda Poolaw working
Tape 6: Linda Poolaw working, Emil Her Many Horses working, Linda Poolaw interview
Tape 7: Linda Poolaw interview continued, Abe Conklin blessing NMAI staff and ARAG selectors
Tape 8: Alejandro Flores and Paula Quispe working, Teofila Palafox working
Tape 9 #1: Jacinto Arias and Juan Gonzalez working
Tape 9 #2: Jacinto Arias and Juan Gonzalez working, Tomas Huanca and Bonifacia Quispe and Jose Montano working, Alejandro Flores and Paula Quispe working
Tape 10: Alejandro Flores and Paula Quipse
Tape 11: Miquel Puwainchir and Felipe Tsenkuch interview (in Spanish)
Tape 12 #1: Joe Medicine Crow working
Tape 12 #2: Conrad House working, Conrad House interview, Joe Medicine Crow interview
Tape 12 #3: Joe Medicine Crow interview continued
Tape 13 #1: D. Y. Begay working, Richard Milanovich working
Tape 13 #2: Richard Milanovich interview, D. Y. Begay interview
Tape 14: Conrad House working continued
Tape 15 #1: Lloyd Kiva New working
Tape 15 #2: Lloyd Kiva New working continued, Lloyd Kiva New interview
Tape 16: John Kim Bell interview
Tape 17 #1: Earl Nyholm working
Tape 17 #2: Earl Nyholm working continued, Thomas Hill working
Tape 18 #1: Thomas Nyholm working continued, Earl Nyholm working
Tape 18 #2: Thomas Nyholm interview, Earl Nyholm working
Tape 18 #3: Earl Nyholm working continued, Earl Nyholm interview
Folder - Videotape log
Box 6
Hi-8 videotapes - 47 items
980; All Roads Are Good aka POV; Susye Billy working in collection; Edgar Perry working in collection; Gerald McMaster looking at Cree bags in collection; 6 - Tape is labeled R3; 6/13/1991
981; All Roads Are Good aka POV; Abe Conklin working in collection; Emil Her Many Horses Interview; 7; 6/27/1991
982; All Roads Are Good aka POV; Abe Conklin Interview; Linda Poolaw working in collection; 8; 6/27/1991
983; All Roads Are Good aka POV; Linda Poolaw working in collection; Emil Her Many Horses working in collection; Linda Poolaw Interview; 9; 6/28/1991
984; All Roads Are Good aka POV; Linda Poolaw Interview (continued); Abe Conklin blessing the group; 10; 6/28/1991
985; All Roads Are Good aka POV; Huatta and Cruz working in collection; Palafox working in collection; 11; 7/11/1991
986; All Roads Are Good aka POV; Olivares and Krafft-Sapchep working in collection; Arias and Hernandez working in collection; 12; 07/11-12/1991
987; All Roads Are Good aka POV; Arias and Hernandez working in collection (Maash outfit); 13; 7/12/1991
988; All Roads Are Good aka POV; Huanca, Fernandez, Sundt and de Montano working in collection; Huatta and Cruz working in collection; 14; 7/12/1991
989; All Roads Are Good aka POV; Huatta and Cruz working in collection; 15; 7/12/1991
990; All Roads Are Good aka POV; The Shuar - Interviews with Puwain and Tsenkush; 16; 7/18/1991
991; All Roads Are Good aka POV; Joe Medicine Crow working in collection; 17; 7/31/1991
992; All Roads Are Good aka POV; Conrad House working in collection; Joe Medicine Crow Interview; 18; 7/31/1991
994; All Roads Are Good aka POV; Joe Medicine Crow Interview (continued); 19; 7/31/1991
995; All Roads Are Good aka POV; D. Y Begay working in collection; Richard Milanovich working in collection; 20; 8/2/1991
996; All Roads Are Good aka POV; Richard Milanovich Interview; D. Y. Begay Interview; 21; 8/2/1991
997; All Roads Are Good aka POV; Conrad House working in collection; 22; 8/2/1991
998; All Roads Are Good aka POV; Lioyd Kiva New working in collection; 23; 8/21/1991
999; All Roads Are Good aka POV; Lioyd Kiva New working and Interview; 24; 8/21/1991
1000; All Roads Are Good aka POV; John Kim Bell Interview; 25; 8/22/1991
1001; All Roads Are Good aka POV; Earl Nyholm working in collection; 26; 8/22/1991
1002; All Roads Are Good aka POV; Earl Nyholm working; Thomas Hill working in collection; 27; 08/22-23/1991
1003; All Roads Are Good aka POV; Thomas Hill working in collection; 28; 8/23/1991
1004; All Roads Are Good aka POV; Thomas Hill Interview; Earl Nyholm working in collection; 29; 8/23/1991
1005; All Roads Are Good aka POV; Earl Nyholm Interview; 30; 8/23/1991
1658; All Roads Are Good aka POV; Installation of the house front; 6/29/1994; New York, NY
1990; All Roads Are Good (Public Programs Documentation GGHC); Talking Circles - Joe Medicen Crow; 11/19/1995; New York, NY
1991; All Roads Are Good (Public Programs Documentation GGHC); Talking Circles - Rena Swentall; 11/20/1994; 12/1/1994; New York, NY
1992; All Roads Are Good (Public Programs Documentation GGHC); Talking Circles - Earl Nyholm; 11/26/1995; New York, NY
1993; All Roads Are Good (Public Programs Documentation GGHC); Lloyd Kiva New - Interviewed by Clinton Elliot (NMAI); 1/9/1995; New York, NY
1994; All Roads Are Good (Public Programs Documentation GGHC); Joe Medicen Crow - Interviewed by Maria Brown (NMAI); 1/21/1995; New York, NY
1995; All Roads Are Good (Public Programs Documentation GGHC); Earl Nyholm - Interviewed by Elizabeth Weatherford (NMAI); 1/26/1995; New York, NY
1996; All Roads Are Good (Public Programs Documentation GGHC); Earl Nyholm -Storytelling; 1/28/1995; New York, NY
1997; All Roads Are Good (Public Programs Documentation GGHC); Earl Nyholm -Storytelling; 1/29/1995; New York, NY
1998; All Roads Are Good (Public Programs Documentation GGHC); Talking Circles - Abe Concklin Interviewed by Elizabeth Weatherford (NMAI); 1/28/1995; New York, NY
1999; All Roads Are Good (Public Programs Documentation GGHC); Talking Circles - Edgar Perry Interviewed by Elizabeth Weatherford (NMAI); 12/8/1994; New York, NY
2000; All Roads Are Good (Public Programs Documentation GGHC); Emil Her Many Horses Interviewed by Clinton Elliot (NMAI); 6/8/1995; New York, NY
2002; All Roads Are Good (Public Programs Documentation GGHC); Emil Her Many Horses Interviewed by Clinton Elliot (NMAI) continued; 6/8/1995; New York, NY
2003; All Roads Are Good (Public Programs Documentation GGHC); Tom Hill Interviewed by Maria Brown (NMAI); 4/6/1995; New York, NY
2004; All Roads Are Good (Public Programs Documentation GGHC); Celebrating Native Poetry; 11/13/1999; New York, NY
2005; All Roads Are Good (Public Programs Documentation GGHC); Childrens Festival- program by Mary Jane Bird; 5/17/1998; New York, NY
2123; Talking Circles - All Roads are Good; Linda Lawpool - (No Audio); 10/31/1994; New York, NY
2218; All Roads Are Good aka POV; Interview with Selector Miguel Puwainchik (Shuar/Ashuar) conducted by Erica Wortham (NMAI); 1/5/1995; New York, NY
2219; All Roads Are Good aka POV; Interview with Selector Miguel Puwainchik (Shuar/Ashuar) conducted by Catherine Benamou (NMAI); 12/9/1994; New York, NY
2220; All Roads Are Good (Public Programs Documentation GGHC); Talking Circle with Miguel Puwainchik (Shuar/Ashuar); 1/4/1995; New York, NY
2221; All Roads Are Good (Public Programs Documentation GGHC); Storytelling Program with Miguel Puwainchik (Shuar/Ashuar); 1/8/1995; New York, NY
2222; All Roads Are Good (Public Programs Documentation GGHC); Performance by Miguel Puwainchik (Shuar/Ashuar) and Performance by Nada (?) dance group; 1/7/1995; New York, NY
Betacam-SP videotapes - 2 items
1958; All Roads Are Good aka POV; Susye Billie; Edgar Perry; R3 from camera original SVHS Tapes 4 and 5; 6/14/1991
2158; All Roads Are Good aka POV; ARAG media installation: Disk #1 - Tom Hill, Rina Swentzell, D. Y. Begay, Alejandro Flores Huatta and Paula Quispe Cruz, Lloyd Kiva New, Richard Milanovich; Disk #3 - Bonifacia Fernandez and Tomas Huanca, Miguel Punainchir and Felipe Tsenkush, Manuel Rios Morales, Susan Billy, Abe Conklin, Joe Medicine Crow; Beta Master from laser disks #1+#3;
U-matic videotapes - 6 items
516; All Roads Are Good aka POV; Selectors Second Round; 21 A+B with visual time code, dub from Betacam-SP original; 1/17/1992; New York, NY
517; All Roads Are Good aka POV; Selectors Second Round; 22 A+B with visual time code, dub from Betacam-SP original; 1/17/1992; New York, NY
518; All Roads Are Good aka POV; Selectors Second Round; 23 A+B with visual time code, dub from Betacam-SP original; 1/17/1992; New York, NY
1722; All Roads Are Good aka POV;"Meeting the Selectors" - selections of selectors form the summer 1991 shoot; Edited Master
2165; All Roads Are Good aka POV; 1st Group Selectors: Gerald McMaster, Edgar Perry; R2; 6/14/1991; New York, NY
2166; All Roads Are Good aka POV; 1st Group Selectors: Gerald McMaster, Susye Billy, Edgar Perry; R3; 6/14/1991; New York, NY
Box 7
Betacam-SP videotapes - 106 items
1027; All Roads Are Good aka POV; Selectors Second Round; 1A; 12/17/1991; New York, NY
1028; All Roads Are Good aka POV; Selectors Second Round; 1B; 12/17/1991; New York, NY
1029; All Roads Are Good aka POV; Selectors Second Round; 2A; 12/17/1991; New York, NY
1030; All Roads Are Good aka POV; Selectors Second Round; 2B; 12/17/1991; New York, NY
1031; All Roads Are Good aka POV; Selectors Second Round; 3A; 12/17/1991; New York, NY
1032; All Roads Are Good aka POV; Selectors Second Round; 3B; 12/17/1991; New York, NY
1033; All Roads Are Good aka POV; Selectors Second Round; 4B; 12/17/1991; New York, NY
1034; All Roads Are Good aka POV; Selectors Second Round; 5A; 12/17/1991; New York, NY
1035; All Roads Are Good aka POV; Selectors Second Round; 5B; 12/18/1991; New York, NY
1036; All Roads Are Good aka POV; Selectors Second Round; 6A; 12/17/1991; New York, NY
1037; All Roads Are Good aka POV; Selectors Second Round; 6B; 12/18/1991; New York, NY
1038; All Roads Are Good aka POV; Selectors Second Round; 7A; 12/18/1991; New York, NY
1039; All Roads Are Good aka POV; Selectors Second Round; 7B; 12/18/1991; New York, NY
1040; All Roads Are Good aka POV; Selectors Second Round; 8A; 12/18/1991; New York, NY
1041; All Roads Are Good aka POV; Selectors Second Round; 8B; 12/18/1991; New York, NY
1042; All Roads Are Good aka POV; Selectors Second Round; 9A; 12/18/1991; New York, NY
1043; All Roads Are Good aka POV; Selectors Second Round; 9B; 12/18/1991; New York, NY
1044; All Roads Are Good aka POV; Selectors Second Round; B Roll - Artifacts; 12/18/1991; New York, NY
1045; All Roads Are Good aka POV; Selectors Second Round; 1A; 1/14/1992; New York, NY
1046; All Roads Are Good aka POV; Selectors Second Round; 1B; 1/14/1992; New York, NY
1047; All Roads Are Good aka POV; Selectors Second Round; 2A; 1/14/1992; New York, NY
1048; All Roads Are Good aka POV; Selectors Second Round; 2B; 1/14/1992; New York, NY
1049; All Roads Are Good aka POV; Selectors Second Round; 3A; 1/14/1992; New York, NY
1050; All Roads Are Good aka POV; Selectors Second Round; 3B; 1/14/1992; New York, NY
1051; All Roads Are Good aka POV; Selectors Second Round; 4A; 1/14/1992; New York, NY
1052; All Roads Are Good aka POV; Selectors Second Round; 4B; 1/14/1992; New York, NY
1053; All Roads Are Good aka POV; Selectors Second Round; 5A; 1/14/1992; New York, NY
1054; All Roads Are Good aka POV; Selectors Second Round; 5B; 1/14/1992; New York, NY
1055; All Roads Are Good aka POV; Selectors Second Round; 11A; 1/16/1992; New York, NY
1056; All Roads Are Good aka POV; Selectors Second Round; 11B; 1/16/1992; New York, NY
Box 8
1057; All Roads Are Good aka POV; Selectors Second Round; 12A; 1/16/1992; New York, NY
1058; All Roads Are Good aka POV; Selectors Second Round; 12B; 1/16/1992; New York, NY
1059; All Roads Are Good aka POV; Selectors Second Round; 15A; 1/16/1992; New York, NY
1060; All Roads Are Good aka POV; Selectors Second Round; 15B; 1/16/1992; New York, NY
1061; All Roads Are Good aka POV; Selectors Second Round; 16A; 1/16/1992; New York, NY
1062; All Roads Are Good aka POV; Selectors Second Round; 16B; 1/16/1992; New York, NY
1063; All Roads Are Good aka POV; Selectors Second Round; 20A; 1/1992; New York, NY
1064; All Roads Are Good aka POV; Selectors Second Round; 20B; 1/1992; New York, NY
1065; All Roads Are Good aka POV; Selectors Second Round; 21A; 1/17/1992; New York, NY
1066; All Roads Are Good aka POV; Selectors Second Round; 21B; 1/17/1992; New York, NY
1067; All Roads Are Good aka POV; Selectors Second Round; 22A; 1/17/1992; New York, NY
1068; All Roads Are Good aka POV; Selectors Second Round; 22B; 1/17/1992; New York, NY
1069; All Roads Are Good aka POV; Selectors Second Round; 23A; 1/17/1992; New York, NY
1070; All Roads Are Good aka POV; Selectors Second Round; 23B; 1/17/1992; New York, NY
1071; All Roads Are Good aka POV; Selectors Second Round; 24A; 1/17/1992; New York, NY
1072; All Roads Are Good aka POV; Selectors Second Round; 25A; 1/17/1992; New York, NY
1073; All Roads Are Good aka POV; Footage of Gerald McMaster; Tape 1 of 2
1074; All Roads Are Good aka POV; Footage of Gerald McMaster; Tape 2 of 2
1075; All Roads Are Good aka POV; Protection Master of Installation Media Disc 1; Without titling
1078; All Roads Are Good aka POV; Protection Master of Installation Media Disc 2; Without titling
1079; All Roads Are Good aka POV; Protection Master of Installation Media Disc 3; Without titling
1080; All Roads Are Good aka POV; Protection Master of Installation Media Disc 4; Without titling
1081; All Roads Are Good aka POV; Protection Master of Installation Media Disc 1; With titling
1082; All Roads Are Good aka POV; Protection Master of Installation Media Disc 2; With titling
1083; All Roads Are Good aka POV; Protection Master of Installation Media Disc 3; With titling
1084; All Roads Are Good aka POV; Protection Master of Installation Media Disc 4; With titling
1104; All Roads Are Good aka POV; Joe Medicine Crow Interview (continued); R 12/3 from camera original #17; 7/31/1991
1108; All Roads Are Good aka POV; Lloyd Kiva New working and Interview with Mary Jane Lenz; R 15/1 from camera original #22; 8/21/1991
1115; All Roads Are Good aka POV; Earl Nyholm Interview with Gary Galante; R 18/3 from camera original #28; 8/23/1991;
1116; All Roads Are Good aka POV; Selectors Second Round; 6A; 1/15/1992; New York, NY
Box 9
1117; All Roads Are Good aka POV; Selectors Second Round; 6B; 1/15/1992; New York, NY
1118; All Roads Are Good aka POV; Selectors Second Round; 7A; 1/15/1992; New York, NY
1119; All Roads Are Good aka POV; Selectors Second Round; 7B; 1/15/1992; New York, NY
1120; All Roads Are Good aka POV; Selectors Second Round; 8A; 1/15/1992; New York, NY
1121; All Roads Are Good aka POV; Selectors Second Round; 8B; 1/15/1992; New York, NY
1122; All Roads Are Good aka POV; Selectors Second Round; 9A; 1/15/1992; New York, NY
1123; All Roads Are Good aka POV; Selectors Second Round; 9B; 1/15/1992; New York, NY
1124; All Roads Are Good aka POV; Selectors Second Round; 13B; 1/16/1992; New York, NY
1125; All Roads Are Good aka POV; Selectors Second Round; 14A; 1/16/1992; New York, NY
1126; All Roads Are Good aka POV; Selectors Second Round; 14B; 1/16/1992; New York, NY
1127; All Roads Are Good aka POV; Selectors Second Round; 17A; 1/16/1992; New York, NY
1128; All Roads Are Good aka POV; Selectors Second Round; 17B; 1/16/1992; New York, NY
1129; All Roads Are Good aka POV; Selectors Second Round; 18A; 1/1992; New York, NY
1130; All Roads Are Good aka POV; Selectors Second Round; 18B; 1/1992; New York, NY
1131; All Roads Are Good aka POV; Selectors Second Round; 19A; 1/1992; New York, NY
1132; All Roads Are Good aka POV; Selectors Second Round; 19B; 1/1992; New York, NY
1085; All Roads Are Good aka POV; Susye Billie working in collection; Edgar Perry working in collection; Gerald McMaster looking at Cree bags in collection; R 1/1 from camera original #4 labeled R3; 6/13/1991
1087; All Roads Are Good aka POV; Susye Billie working in collection; Edgar Perry working in collection; Gerald McMaster looking at Cree bags in collection; R 1/2 from camera original #4 labeled R3; 6/13/1991
1088; All Roads Are Good aka POV; Gerald McMaster; Susye Billie; R 2 from camera original SVHS Tapes 1, 2, and 3; 6/14/1991
1089; All Roads Are Good aka POV; Susye Billie; Edgar Perry; R 3 from camera original SVHS Tapes 4 and 5; 6/14/1991
1090; All Roads Are Good aka POV; Abe Conklin working in collection; R 4/1 from camera original; 6/27/1991
Box 10
1091; All Roads Are Good aka POV; Abe Conklin working in collection; Emil Her Many Horses Interview; R 4/2 from camera original; 6/27/1991
1092; All Roads Are Good aka POV; Abe Conklin Interview; Linda Poolaw in collection; R 5/1 from camera original; 6/27/1991
1093; All Roads Are Good aka POV; Linda Poolaw in collection; R 5/2 from camera original; 6/27/1991
1094; All Roads Are Good aka POV; Linda Poolaw in collection; Emil Her Many Horses working in collection; R 6/1; 6/28/1991
1095; All Roads Are Good aka POV; Emil Her Many Horses working in collection; Linda Poolaw Interview; R 6/2 from camera original; 6/28/1991
1096; All Roads Are Good aka POV; Linda Poolaw Interview (continued); Abe Conklin blessing the group; R 7 from camera original; 6/28/1991
1097; All Roads Are Good aka POV; Huatta and Cruz working in collection; Palafox working in collection; R 8/1 from camera original #9; 7/11/1991
1098; All Roads Are Good aka POV; Arias and Hernandez working in collection; R 9/1 from camera original #11; 7/12/1991
1099; All Roads Are Good aka POV; Huanca, Fernandez, Sundt and de Montano working in collection; Huatta and Cruz working in collection; R 9/2 from camera original #12; 7/12/1991
1100; All Roads Are Good aka POV; Huatta and Cruz working in collection; R 10 from camera original #13; 7/12/1991
1101; All Roads Are Good aka POV; The Shuar - Interviews with Puwainchir and Tsenkush; R 11 from camera original #14; 7/18/1991
Box 11
1102; All Roads Are Good aka POV; Joe Medicine Crow working in collection; R 12/1 from camera original #15; 7/31/1991
1104A; All Roads Are Good aka POV; Joe Medicine Crow Interview (continued); R 12/3 from camera original #17; 7/31/1991
1103; All Roads Are Good aka POV; Conrad House working in collection and interview; Joe Medicine Crow Interview; R 12/2 from camera original #16; 7/31/1991
1105; All Roads Are Good aka POV; D. Y. Begay working in collection; Richard Milanovich working in collection; R 13/1 from camera original #18; 8/2/1991
1106; All Roads Are Good aka POV; Richard Milanovich Interview; D. Y. Begay Interview; R 13/2 from camera original #19; 8/2/1991
1107; All Roads Are Good aka POV; Conrad House working in collection; R 14 from camera original #20; 8/2/1991
1108A; All Roads Are Good aka POV; Lloyd Kiva New working and Interview with Mary Jane Lenz; R 15/1 from camera original #22; 8/21/1991
1109; All Roads Are Good aka POV; Lloyd Kiva New working in collection; R 15/2 from camera original #21; 8/21/1991
1110; All Roads Are Good aka POV; John Kim Bell Interview; R 16 from camera original #23; 8/22/1991
1111; All Roads Are Good aka POV; Earl Nyholm working in collection; R 17/1 from camera original #24; 8/22/1991
1112; All Roads Are Good aka POV; Earl Nyholm working; Thomas Hill working in collection; R 17/2 from camera original #25; 08/22-23/1991
Box 12
1113; All Roads Are Good aka POV; Thomas Hill working in collection; R 18/1 from camera original #26; 8/23/1991
U-matic videotapes - 36 items
435; All Roads Are Good aka POV; Selectors Second Round; 1 A+B with visual time code, master dub from Betacam-SP original; 12/17/1991; New York, NY
436; All Roads Are Good aka POV; Selectors Second Round; 2 A+B with visual time code, master dub from Betacam-SP original; 12/17/1991; New York, NY
437; All Roads Are Good aka POV; Selectors Second Round; 3 A+B with visual time code, master dub from Betacam-SP original; 12/17/1991; New York, NY
438; All Roads Are Good aka POV; Selectors Second Round; 4 A+B with visual time code, master dub from Betacam-SP original; 12/17/1991; New York, NY
439; All Roads Are Good aka POV; Selectors Second Round (12/17/1991 and 12/18/1991); 5 A+B with visual time code, master dub from Betacam-SP original; 12/1991; New York, NY
440; All Roads Are Good aka POV; Selectors Second Round; 6 A+B with visual time code, master dub from Betacam-SP original; 12/18/1991; New York, NY
441; All Roads Are Good aka POV; Selectors Second Round; 7 A+B with visual time code, master dub from Betacam-SP original; 12/18/1991; New York, NY
442; All Roads Are Good aka POV; Selectors Second Round; 8 A+B with visual time code, master dub from Betacam-SP original; 12/18/1991; New York, NY
443; All Roads Are Good aka POV; Selectors Second Round; 9 A+B with visual time code, master dub from Betacam-SP original; 12/18/1991; New York, NY
462; All Roads Are Good aka POV; Selectors Second Round; 10 A+B with visual time code, master dub from Betacam-SP original; 12/17/1991; New York, NY
488; All Roads Are Good aka POV; Selectors Second Round; 1 A+B with visual time code, dub from Betacam-SP original; 1/14/1992; New York, NY
489; All Roads Are Good aka POV; Selectors Second Round; 2 A+B with visual time code, dub from Betacam-SP original; 1/14/1992; New York, NY
490; All Roads Are Good aka POV; Selectors Second Round; 3 A+B with visual time code, dub from Betacam-SP original; 1/14/1992; New York, NY
491; All Roads Are Good aka POV; Selectors Second Round; 4 A+B with visual time code, dub from Betacam-SP original; 1/14/1992; New York, NY
492; All Roads Are Good aka POV; Selectors Second Round; 5 A+B with visual time code, dub from Betacam-SP original; 1/14/1992; New York, NY
498; All Roads Are Good aka POV; Selectors Second Round; 6 A+B with visual time code, dub from Betacam-SP original; 1/15/1992; New York, NY
Box 13
502; All Roads Are Good aka POV; Selectors Second Round; 7 A+B with visual time code, dub from Betacam-SP original; 1/15/1992; New York, NY
503; All Roads Are Good aka POV; Selectors Second Round; 8 A+B with visual time code, dub from Betacam-SP original; 1/15/1992; New York, NY
504; All Roads Are Good aka POV; Selectors Second Round; 9 A+B with visual time code, dub from Betacam-SP original; 1/15/1992; New York, NY
505; All Roads Are Good aka POV; Selectors Second Round; 10 A+B with visual time code, dub from Betacam-SP original; 1/15/1992; New York, NY
506; All Roads Are Good aka POV; Selectors Second Round (1/15/92 & 1/16/92); 11 A+B with visual time code, dub from Betacam-SP original; 1/1992; New York, NY
507; All Roads Are Good aka POV; Selectors Second Round; 12 A+B with visual time code, dub from Betacam-SP original; 1/16/1992; New York, NY
508; All Roads Are Good aka POV; Selectors Second Round; 13 A+B with visual time code, dub from Betacam-SP original; 1/16/1992; New York, NY
509; All Roads Are Good aka POV; Selectors Second Round; 14 A+B with visual time code, dub from Betacam-SP original; 1/16/1992; New York, NY
510; All Roads Are Good aka POV; Selectors Second Round; 15 A+B with visual time code, dub from Betacam-SP original; 1/16/1992; New York, NY
511; All Roads Are Good aka POV; Selectors Second Round (1/16/92 & 1/17/92); 16 A+B with visual time code, dub from Betacam-SP original; 1/1992; New York, NY
512; All Roads Are Good aka POV; Selectors Second Round; 17 A+B with visual time code, dub from Betacam-SP original; 1/17/1992; New York, NY
513; All Roads Are Good aka POV; Selectors Second Round; 18 A+B with visual time code, dub from Betacam-SP original; 1/17/1992; New York, NY
514; All Roads Are Good aka POV; Selectors Second Round; 19 A+B with visual time code, dub from Betacam-SP original; 1/17/1992; New York, NY
515; All Roads Are Good aka POV; Selectors Second Round; 20 A+B with visual time code, dub from Betacam-SP original; 1/17/1992; New York, NY
Audiocassettes - 174 items
Bonifacia; 1; 7/9/1991
Bonifacia; 2; 7/10/1991
Bonifacia; 3; 7/9/1991
Bonifacia; 4; 7/11/1991
Bonifacia; 5; 7/11/1991
Bonifacia; 6
Bonifacia; 7; 7/12/1991
Juan Olivares, Teofila Palafax; Tape 1, Deck 1
Olivia/M. J./Juan and Teofila; Tape 1, Deck 2
Teofila and Juan; Tape 2, Deck 1
M. J., Teofila and Juan; Tape 2, Deck 2
M. J., Teofila and Juan; Tape 3, Deck 1
M. J., Teofila and Juan; Tape 3, Deck 2
M. J., Teofila and Juan; Tape 5, Deck 1
M. J., Teofila and Juan; Tape 6, Deck 1
M. J., Teofila and Juan; Tape 7, Deck 1
Edgar Perry; 3; 6/13/1991
Edgar Perry, Daagodigah material; 1; 6/10/1991
Edgar Perry, Gan selection; 2; 6/11/1991
Harding Big Bow video interview; 1/14/1992
Session 5 All Selectors meeting before tour; 8/19/1991
Linda Poolaw; 1; 6/24/1991
Linda Poolaw; 2; 6/25/1991
Linda Poolaw; 3; 6/26/1991
Linda Poolaw; 4; 6/27/1991
Linda Poolaw; 5; 6/28/1991
Linda Poolaw; 6; 6/28/1991
Linda Poolaw; 7; 6/28/1991
Richard Milanovich (working session and interview)
Lloyd Kiva New interview; 1; 8/21/1991
Lloyd Kiva New interview; 2; 8/21/1991
Box 14
Abe Conklin/Mary Jane Lenz; 2; 6/24-25/1991
Abe Conklin/Mary Jane Lenz; 3; 6/25/1991
Abe Conklin/Mary Jane Lenz; 4; 6/25(?)/1991
Abe Conklin/Mary Jane Lenz; 5; 6/26(?)/1991
Abe Conklin/Mary Jane Lenz; 6; 6/27(?)/1991
Abe Conklin/Mary Jane Lenz; 7; 6/28/(?)/1991
Susy [Susan] Billy; 1; 6/10/1991
Susy [Susan] Billy; 2; 6/11/1991
Susy [Susan] Billy; 3; 6/13/1991
Susy [Susan] Billy; 4; 6/13-14/1991
Susy [Susan] Billy; 5; 6/14/1991
Susy [Susan] Billy - Benson Baskets; 6; 2/5/1992
Manuel Rios; 1; 7/9-10/1991
Manuel Rios; 2; 7/10-11/1991
Manuel Rios; 3; 7/11-12/1991
Manuel Rios; 4; 7/13/1991
Manuel Rios; 5; 7/13/1991
Nyholm; 1; 8/19/1991
Nyholm; 2; 8/20/1991
Nyholm; 3; 8/21-22/1991
Nyholm; 4; 8/21/1991
Nyholm; 5; 8/22/1991
Nyholm; 6; 8/22/1991
Nyholm; 7; 8/23/1991
Nyholm; 8; 8/23/1991
Rina Swentzell; 1; 7/29/1991
Rina Swentzell; 2; 7/29/1991
Rina Swentzell; 3; 7/29/1991
Rina Swentzell; 4; 1/15/1991
Thomas Hill; 1
Thomas Hill; 2
Thomas Hill; 3
Thomas Hill (interview); 4
Conrad House; 2; 7/30/1991
Conrad House; 3; 7/28/1991
Conrad House; 4; 7/31/1991
Conrad House; 7; 8/2/1991
Conrad House; 8;
Conrad House; 9;
Conrad House; 6A; 8/1/1991
Emil Her Many Horses; 6/21/1991
John Kim Bell; 1; 8/19/1991
John Kim Bell; 2; 8/19-20/1991
John Kim Bell; 3; 8/19/1991
John Kim Bell; 5; 8/20/1991
John Kim Bell; Concept for performance piece; 8/21/1991
John Kim Bell; Interview; 8/22/1991
Victor Masayensa, Session #2; 1; 6/24/1991
Victor Masayensa, Session #2; 2; 6/25/1991
Victor Masayensa, Session #2, Photo Archives; 3; 6/26/1991
D. Y. Begay; 1; 7/29-30/1991
D. Y. Begay; 2; 7/31/1991, 8/1-2/1991
D. Y. Begay; 3; 8/2/1991
Vault and ideas; Cecile and John; Tape 5; 8/20/1991
1320; All Roads Are Good aka POV; Emil Her Many Horses; Tape 1; 6/24/1991; New York, NY
1321; All Roads Are Good aka POV; Emil Her Many Horses; Tape 2; 6/25/1991; New York, NY
1322; All Roads Are Good aka POV; Emil Her Many Horses; Tape 3; 6/25/1991; New York, NY
1323; All Roads Are Good aka POV; Emil Her Many Horses; Tape 4; 6/25/1991; New York, NY
1324; All Roads Are Good aka POV; Emil Her Many Horses; Tape 5; 6/26/1991; New York, NY
1325; All Roads Are Good aka POV; Emil Her Many Horses; Tape 6; 6/27/1991; New York, NY
1326; All Roads Are Good aka POV; Emil Her Many Horses; Tape 7; 6/27/1991; New York, NY
1327; All Roads Are Good aka POV; Emil Her Many Horses; Tape 8; 6/27/1991; New York, NY
1328; All Roads Are Good aka POV; Emil Her Many Horses; Tape 9; 6/28/1991; New York, NY
1329; All Roads Are Good aka POV; Emil Her Many Horses; Tape 10; 6/28/1991; New York, NY
1330; All Roads Are Good aka POV; Manuel Rios Morales (Zapotec); Tape 1; 7/9/1991; New York, NY
1331; All Roads Are Good aka POV; Manuel Rios Morales (Zapotec); Tape 2; 7/9/1991; New York, NY
1332; All Roads Are Good aka POV; Manuel Rios Morales (Zapotec); Tape 3; 7/9/1991; New York, NY
1333; All Roads Are Good aka POV; Manuel Rios Morales (Zapotec); Tape 4; 7/9/1991; New York, NY
1334; All Roads Are Good aka POV; Manuel Rios Morales (Zapotec); Tape 5; 7/9/1991; New York, NY
1335; All Roads Are Good aka POV; Gerald McMaster (Plains Cree); Tape 1; 1991; New York, NY
1336; All Roads Are Good aka POV; Gerald McMaster (Plains Cree); Tape 2; 1991; New York, NY
1337; All Roads Are Good aka POV; Gerald McMaster (Plains Cree); Tape 3; 1991; New York, NY
1338; All Roads Are Good aka POV; Gerald McMaster (Plains Cree); Tape 4; 1991; New York, NY
1339; All Roads Are Good aka POV; Gerald McMaster (Plains Cree); Tape 5; 1991; New York, NY
1340; All Roads Are Good aka POV; Abe Conklin; Tape 1; 6/24/1991; New York, NY
1341; All Roads Are Good aka POV; Abe Conklin; Tape 3; 6/25/1991; New York, NY
1342; All Roads Are Good aka POV; Abe Conklin; Tape 4, date questionable; 6/25/1991; New York, NY
1343; All Roads Are Good aka POV; Abe Conklin; Tape 5, date questionable; 6/26/1991; New York, NY
1344; All Roads Are Good aka POV; Abe Conklin; Tape 6, date questionable; 6/27/1991; New York, NY
1345; All Roads Are Good aka POV; Abe Conklin; Tape 7, date questionable; 6/28/1991; New York, NY
1346; All Roads Are Good aka POV; Earl Nyholm (Ojibwe); Tape 4; 8/21/1991; New York, NY
1347; All Roads Are Good aka POV; Earl Nyholm (Ojibwe); Tape 5; 8/22/1991; New York, NY
1348; All Roads Are Good aka POV; Earl Nyholm (Ojibwe); Tape 6; 8/22/1991; New York, NY
1349; All Roads Are Good aka POV; Earl Nyholm (Ojibwe); Tape 7; 8/23/1991; New York, NY
1350; All Roads Are Good aka POV; Earl Nyholm (Ojibwe); Tape 8; 8/23/1991; New York, NY
1351; All Roads Are Good aka POV; Alejandro Flores Huatta (Quechua) and Paula Quispe Cruz (Quechua); Tape 1; 7/9/1991; New York, NY
1352; All Roads Are Good aka POV; Alejandro Flores Huatta (Quechua) and Paula Quispe Cruz (Quechua); Tape 2; 7/10/1991; New York, NY
1353; All Roads Are Good aka POV; Alejandro Flores Huatta (Quechua) and Paula Quispe Cruz (Quechua); Tape 3; 7/10/1991; New York, NY
1354; All Roads Are Good aka POV; Alejandro Flores Huatta (Quechua) and Paula Quispe Cruz (Quechua); Tape 4; 7/11/1991; New York, NY
1355; All Roads Are Good aka POV; Alejandro Flores Huatta (Quechua) and Paula Quispe Cruz (Quechua); Tape 5; 7/12/1991; New York, NY
1356; All Roads Are Good aka POV; Alejandro Flores Huatta (Quechua) and Paula Quispe Cruz (Quechua); Tape 6; 7/1991; New York, NY
1357; All Roads Are Good aka POV; Alejandro Flores Huatta (Quechua) and Paula Quispe Cruz (Quechua); Tape 7; 7/13/1991; New York, NY
1358; All Roads Are Good aka POV; Alejandro Flores Huatta (Quechua) and Paula Quispe Cruz (Quechua); Tape 8; 7/13/1991; New York, NY
1359; All Roads Are Good aka POV;Alejandro Flores Huatta (Quechua) and Paula Quispe Cruz (Quechua); Tape 9; 7/13/1991; New York, NY
1360; All Roads Are Good aka POV; Grupo Aymara Excerpts/Alejandro Flores Huatta (Quechua) and Paula Quispe Cruz (Quechua); 1993; New York, NY
1361; All Roads Are Good aka POV; Juan Gonzales and Jacinto Aries; Tape 5; 7/11/1991; New York, NY
1362; All Roads Are Good aka POV; Juan Gonzales and Jacinto Aries; Tape 6; 7/12/1991; New York, NY
1363; All Roads Are Good aka POV; Juan Gonzales and Jacinto Aries; Tape 7; 7/12/1991; New York, NY
1364; All Roads Are Good aka POV; Juan Gonzales and Jacinto Aries; Tape 8; 7/12/1991; New York, NY
1365; All Roads Are Good aka POV; Juan Gonzales and Jacinto Aries; Tape 9; 7/13/1991; New York, NY
1366; All Roads Are Good aka POV; Juan Gonzales and Jacinto Aries; Tape 10; 7/13/1991; New York, NY
1367; All Roads Are Good aka POV; Juan Gonzales and Jacinto Aries (also Labled Arias & Gallo); Tape 1; 7/9/1991; New York, NY
1368; All Roads Are Good aka POV; Juan Gonzales and Jacinto Aries (also Labled Arias & Gallo); Tape 3; 7/10/1991; New York, NY
1369; All Roads Are Good aka POV; Juan Gonzales and Jacinto Aries (also Labled Arias & Gallo); Tape 4; 7/11/1991; New York, NY
1370; All Roads Are Good aka POV; Joe Medicine Crow; Tape 1; 7/29/1991; New York, NY
1371; All Roads Are Good aka POV; Joe Medicine Crow; Tape 2; 07/29-30/1991; New York, NY
1372; All Roads Are Good aka POV; Joe Medicine Crow; Tape 3; 7/31/1991; New York, NY
1373; All Roads Are Good aka POV; Joe Medicine Crow; Tape 4; 7/31/1991; New York, NY
1374; All Roads Are Good aka POV; Joe Medicine Crow; Tape 5; 7/31/1991; New York, NY
1381; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood); Tape 1 - Deck 1; 1991; New York, NY
1382; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood); Tape 1 - Deck 2; 1991; New York, NY
1383; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood); Tape 2 - Deck 1; 1991; New York, NY
1384; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood); Tape 2 - Deck 2; 1991; New York, NY
1385; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood); Tape 3 - Deck 1; 1991; New York, NY
1386; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood); Tape 3 - Deck 2; 1991; New York, NY
1387; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood); Tape 4 - Deck 1; 1991; New York, NY
1388; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood); Tape 4 - Deck 1; 1991; New York, NY
1389; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood); Tape 4 - Deck 1; 1991; New York, NY
1390; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood); Tape 5 - Deck 1; 1991; New York, NY
1391; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood); Tape 6 - Deck 1; 1991; New York, NY
1392; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood); Tape 7 - Deck 1; 1991; New York, NY
1393; All Roads Are Good aka POV; Tomas Huanca Laura (Aymara) and Bonifacia Quispe Fernandez (Aymara); Tape 8; 7/13/1991; New York, NY
1394; All Roads Are Good aka POV; Tomas Huanca Laura (Aymara) and Bonifacia Quispe Fernandez (Aymara); Tape 9; 7/13/1991; New York, NY
1395; All Roads Are Good aka POV; Tomas Huanca Laura (Aymara) and Bonifacia Quispe Fernandez (Aymara); Tape 10; 7/13/1991; New York, NY
1396; All Roads Are Good aka POV; Tomas Huanca Laura (Aymara) and Bonifacia Quispe Fernandez (Aymara); Tape 11; 7/13/1991; New York, NY
1409; All Roads Are Good aka POV; Edgar Perry; Tape 4; 6/14/1991; New York, NY
1410; All Roads Are Good aka POV; Edgar Perry; Abe Conklin; New York, NY
1411; All Roads Are Good aka POV; Susan Billy; New York, NY
1412; All Roads Are Good aka POV; Miguel Puwainchir (Shuar) and Felipe Tsenkush (Shuar); Tape 1; 7/15/1991; New York, NY
1413; All Roads Are Good aka POV; Miguel Puwainchir (Shuar) and Felipe Tsenkush (Shuar); Tape 1 - Deck 2; 7/16/1991; New York, NY
1414; All Roads Are Good aka POV; Miguel Puwainchir (Shuar) and Felipe Tsenkush (Shuar); Tape 2; 1991; New York, NY
1415; All Roads Are Good aka POV; Miguel Puwainchir (Shuar) and Felipe Tsenkush (Shuar); Tape 2 - Deck 2; 7/16/1991; New York, NY
1416; All Roads Are Good aka POV; Miguel Puwainchir (Shuar) and Felipe Tsenkush (Shuar); Tape 3; 7/15/1991; New York, NY
1417; All Roads Are Good aka POV; Miguel Puwainchir (Shuar) and Felipe Tsenkush (Shuar); Tape 4 - Deck 2; 7/16/1991; New York, NY
1418; All Roads Are Good aka POV; Miguel Puwainchir (Shuar) and Felipe Tsenkush (Shuar); Tape 5; 7/16/1991; New York, NY
1419; All Roads Are Good aka POV; Miguel Puwainchir (Shuar) and Felipe Tsenkush (Shuar); Tape 6; 7/17/1991; New York, NY
1420; All Roads Are Good aka POV; Miguel Puwainchir (Shuar) and Felipe Tsenkush (Shuar); Tape 7; 7/17/1991; New York, NY
1421; All Roads Are Good aka POV; Miguel Puwainchir (Shuar) and Felipe Tsenkush (Shuar); Tape 8; 1991; New York, NY
1422; All Roads Are Good aka POV; Miguel Puwainchir (Shuar) and Felipe Tsenkush (Shuar); Tape 9; 1991; New York, NY
1423; All Roads Are Good aka POV; Miguel Puwainchir (Shuar) and Felipe Tsenkush (Shuar); Tape10; 1991; New York, NY
1424; All Roads Are Good aka POV; Juan Olivares (Ikood) and Teofila Palafox Herranz (Ikood) - discussion of fishing; 1991; New York, NY
2238; All Roads Are Good aka POV; Abe Conklin Interview (Osage-Ponca) interviewed on tribal knowledge; Location uncertain; New York, NY
2239; All Roads Are Good aka POV; Abe Conklin Interview on Heloshka (sp?): Origins of the Powwow - may have been done in conjunction with "Pathways of Tradition" exhibition; Location uncertain; 4/8/1994; New York, NY
DAT audiocassettes - 12 items
1854; All Roads Are Good aka POV; Talking Circles - Joe Medicine Crow; 1/18/1995; New York, NY
1855; All Roads Are Good aka POV; Talking Circles - Joe Medicine Crow; 1/19/1995; New York, NY
1856; All Roads Are Good aka POV; Talking Circles - Joe Medicine Crow; 1/21/1995; New York, NY
1857; All Roads Are Good aka POV; Talking Circles - Tom Hill; 4/5/1995; New York, NY
1858; All Roads Are Good aka POV; Talking Circles - Emil Her Many Horses; 6/8/1995; New York, NY
1859; All Roads Are Good aka POV; Talking Circles - Earl Nyholm; 1/26/1995; New York, NY
1860; All Roads Are Good aka POV; Story telling - Earl Nyholm; 1/28/1995; New York, NY
1861; All Roads Are Good aka POV; Story telling - Earl Nyholm; 1/29/1995; New York, NY
1862; All Roads Are Good aka POV; Story telling - Miguel Puwainchik; 2:00 pm; 1/7/1995; New York, NY
1863; All Roads Are Good aka POV; Story telling - Miguel Puwainchik; 3:00 pm; 1/7/1995; New York, NY
1864; All Roads Are Good aka POV; Story telling - Miguel Puwainchik; 1/8/1995; New York, NY
1865; All Roads Are Good aka POV; Talking Circles - Jose de Montano; 12/7/1995; New York, NY
Box 15
Listening to Our Ancestors: The Art of Native Life Along the North Pacific Coast; September 12, 2007-July 20, 2008; George Gustav Heye Center, New York (NOTE: Working titles for this exhibit were "Northwest Coast (NWC)" and "North Pacific Coast (NPC)," and some tapes are labeled as such.)
Mini-DV videotapes - 38 items. NOTE: The following Mini-DV tapes are in blue plastic cases.
Batwin & Robin (BR) - BR31, 6/3/2003-6/4/2003 - Gwai Hannas, Seun Gwai. B Roll: Beach scenes at Seun Gwai, Kelp beach rocks, etc. B Roll: Off coast shot from boat waves, intertidal zone, floating kelp, seals.
BR32, 6/4/2003 - Gwai Hannas, Seun Gwai. B Roll: Gwaii Hannas coast, kelp, seals, traveling shots with boat. B Roll: Beach scenes, trees, fog/mist, kelp on beach.
BR36, 6/6/2003 - Queen Charlotte Islands at Balance Rock Beach, Skidigate interview with Captain Gould. B Roll: At Balance Rock Beach, salt patterns and rocks, interview with Gootaan at Haida.
BR38, 6/7/2003 - Queen Charlotte Islands at Copper Bay, interview with Neeva Callison. B Roll: Copper Bay scenes with gill nets in stream.
BR39, 6/7/2003 - Queen Charlotte Islands at Copper Bay, interview with Roberta. B Roll: Eagles flying, perched in trees, forest shots. BR40 - Spider web shot, 1 minute.
Tape #1 North Pacific Coast (Original), 9/28/2005. B Roll: 4:20 at start Treaties.
Tape #2 North Pacific Coast (Original), 9/29/2005. B Roll.
Gwishhalaayt (Letterbox, Dub copy), The Spirit wraps around you, Barb Cranmer, 42 minutes, part one of two. Tape for NPC Review only.
Gwishhalaayt (Dub copy): The Spirit wraps around you, Barb Cranmer, 6 minutes. Laxwesa, Washington: Strength of the river, 12 minutes. Part two of two. Tape for NPC Review only.
Laxwesa, Washington. Strength of the River (Dub copy), Barb Cranmer, 42 minutes. Part one of two. Tape for NPC Review only.
NPC - CRC #1 Interviews (Original, Dub copy). Clips from Betacam-SP Masters. #1 Clarence Jackson, #2 Marilyn Jones, #3 Lindsey Martin, #4 Maria Pascua, #5 Shirley Muldon, #6 Allison Nyce, #7 Barb Cranmer, #7A Haida Blanket Song, #8 Harvey Humchitt, #9 Alvin Mack, #10 Lucille Bell, #11 Shawn Atleo, #12 Kwawakawakw Song.
Listening to Our Ancestors (LOA) B-Roll 3/6/2006: The Art of Native Life Along the North Pacific Coast (Master), 3/6/2006. B Roll: #1 Exhibition graphics TRT: 37, #2 Objects and gallery views TRT 1:27, #3 Family Room TRT: 30, #4 Contact information.
NMAI Listening to Our Ancestors: The Art of Native Life Along the North Pacific Coast with Captions (Final Master Version), 1/27/2006. TRT: 6:30. Introduction Video.
NMAI Listening to Our Ancestors: The Art of Native Life Along the North Pacific Coast without Captions (Final Master Version), 1/27/2006. TRT: 6:30.
Listening to Our Ancestors #1 Gallery (Original), 2/2/2006. B Roll: In the Classroom.
Listening to Our Ancestors #2 (Original), 2/2/2006. Classroom meeting with community curators. Note: time starts at 1 hr, 40 minutes.
Listening to Our Ancestors #3 (Original, DVCam), 2/2/06. Classroom meeting with community, Gallery tour: Marilyn Jones, Ki-Ke-In (Ron Hamilton), Barb Cranmer.
Listening to Our Ancestors#4 (Original), 2/2/2006. Gallery tour, Barb Cranmer, Alvin Mack, Shirley Muldon, Laurel Mould. Note: Timecode starts at 3 hrs, 56 minutes.
Listening to Our Ancestors #5 (Original), 2/2/2006. Gallery tour Laurel Mould, Lindsay Martin. Reception - Rick West. Note: Timecode at 4 hr.
Listening to Our Ancestors #8 (Original), 2/4/2006. Mary Hunter gallery talk, Makah, Vilma Ortiz-Sanchez interview, Harvey Homchek gallery talk.
Listening to Our Ancestors #9 (Original), 2/4/2006. Harvey Homchek gallery talk continued, Allison Nyce gallery talk.
NOTE: The following Mini-DV tapes are in clear plastic cases.
Laxwesa, Washington: Strength of the River. TRT: 54:14. #1568.
Canadian Museum of Civilization Archival Films #1, (CMC #1). 1 - The Nootka Indians of British Columbia, 2 - The Bella Coota Indians 1923-1927, 3 - Tsimshian Indians of Skeena River 1925-1927.
Canadian Museum of Civilization Archival Films #2, (CMC #2). 1 - Coast Salish Indians of British Columbia 1928.
BC #1, 1/13/2006. 5 clips from British Columbian Archives for North Pacific Coast.
Listening to Our Ancestors, Northwest Coast (Dub from Betacam-SP) - #2, 4/27/2004. Nuxalk, Harvey and Alvin Mack.
Listening to Our Ancestors, Northwest Coast (Dub from Betacam-SP) - #3 (Dub from Betacam-SP), 4/27/2004. Tsimshian - Lindsay Martin.
Listening to Our Ancestors, Northwest Coast (Dub from Betacam-SP) - #4 and #6 (Dub from Betacam-SP), 4/27/2004. Kwakwaka'wakw - Barb Cranmer, William "Wah" Wasden.
Listening to Our Ancestors, Northwest Coast (Dub from Betacam-SP) - #5, 4/27/2004. Gitxsan - Shirley Muldon.
Listening to Our Ancestors, Northwest Coast (Dub from Betacam-SP) - #7, 4/27/2004. Nisga'a - Allison Nyce interview.
Listening to Our Ancestors, Northwest Coast (Dub from Betacam-SP) - #8, 4/28/2004. Makah community, interviews on black.
Listening to Our Ancestors, Northwest Coast (Dub from Betacam-SP) - #9, 4/28/2004. Coast Salish - Marilyn Jones.
Listening to Our Ancestors, Northwest Coast (Dub from Betacam-SP) - #12, 4/28/2004. Haida.
Listening to Our Ancestors, Northwest Coast (Dub from Betacam-SP) - #14, 4/28/2004. Makah community, in the collections.
Listening to Our Ancestors, Northwest Coast (Dub from Betacam-SP) - #17, 5/10/2005. Nuu-Chah-Nulth - Ron Hamilton.
Listening to Our Ancestors, Northwest Coast (Dub from Betacam-SP) - #18, 5/10/2005. Nuu-Chah-Nulth - Ron Hamilton.
Listening to Our Ancestors, Northwest Coast (Dub from Betacam-SP) - #19, 5/10/2005. Nuu-Chah-Nulth - Ron Hamilton.
Listening to Our Ancestors, Tglingit, Nuu-Chah-Nuulth, 3/8/2006. Edits - Sam Morgan.
Betacam-SP videotapes - 20 items
Listening to Our Ancestors, Northwest Coast (Original) - #1, 4/27/2004. Heiltsuk - Harvey Humchitt.
Listening to Our Ancestors, Northwest Coast (Original) - #2, 4/27/2004. Nuxalk - Harvey Mack, Alvin Mack.
Listening to Our Ancestors, Northwest Coast (Original) - #3, 4/27/2004. Tsimshian - Lindsay Martin.
Listening to Our Ancestors, Northwest Coast (Original) - #4, 4/27/2004. Kwakwaka'wakw - Barb Cranmer, Willie "Wah" Wasden.
Listening to Our Ancestors, Northwest Coast (Original) - #5, 4/27/2004. Gitxsan - Shirley Muldon.
Listening to Our Ancestors, Northwest Coast (Original) - #6, 4/27/2004. In the collection - Barb Cranmer, Willie "Wah" Wasden.
Listening to Our Ancestors, Northwest Coast (Original) - #7, 4/28/2004. Nisga'a - Allison Nyce.
Listening to Our Ancestors, Northwest Coast (Original) - #8, 4/28/2004. Makah.
Listening to Our Ancestors, Northwest Coast (Original) - #9, 4/28/2004. Coast Salish.
Listening to Our Ancestors, Northwest Coast (Original) - #10, 4/28/2004. Tlingit.
Listening to Our Ancestors, Northwest Coast (Original) - #11, 4/28/2004. Tlingit #2.
Listening to Our Ancestors, Northwest Coast (Original) - #12, 4/28/2004. Haida.
Listening to Our Ancestors, Northwest Coast (Original) - #13, 4/28/2004. Nuu-Chah-Nulth.
Listening to Our Ancestors, Northwest Coast (Original) - #14, 4/28/2004. Makah - Collections.
Listening to Our Ancestors, Northwest Coast (Original) - #15, 4/21/2004. Tlingit - Clarence Jackson.
Listening to Our Ancestors, Northwest Coast (Original) - #16, 5/10/2005. Nuu-Chah-Nulth - Ron Hamilton, Tape #1.
Listening to Our Ancestors, Northwest Coast (Original) - #17, 5/10/2005. Nuu-Chah-Nulth - Ron Hamilton, Tape #2.
Listening to Our Ancestors, Northwest Coast (Original) - #18, 5/10/2005. Nuu-Chah-Nulth - Ron Hamilton, Tape #3.
Listening to Our Ancestors, Northwest Coast (Original) - #19, 5/10/2005. Nuu-Chah-Nulth - Ron Hamilton, Tape #4.
British Columbia Archives, Licensed media, No. AAAA0545, 1/10/2006.
Compact Disc - 1 item
Listening to Our Ancestors: The Art of Native Life Along the North Pacific Coast, 90.8 FM WETA, National Public Radio. As part of "Our & About" on May 13 and 14, 2006, Smithsonian, NMAI, Washington D.C.
"New Tribe: New York," Spiderwoman Theater program video recordings, January 13-14, 2005
Mini-DV videotapes - 16 items
Spiderwomen Theater Originals - #1A- 1/13/05 (Wide shots): The Caul, Thank Me
Spiderwomen Theater Originals - #2A-1/13/05 (Wide shots): Boat Story, Coming Out, Kona Song
Spiderwomen Theater Originals - #3A -1/14/05 (Camera A only): I understand
Spiderwomen Theater Originals - #4A-1/14/05 (Wide): Conversations
Spiderwomen Theater Originals - #1B-1/13/05 (DV CU): The Caul, Thank Me, Retakes CU
Spiderwomen Theater Originals - #2A-1/13/05 (DV CU): Boat Story and Boat Story individual lines, Coming Out and CO Muriel into camera and L+G CU
Spiderwomen Theater Originals - #4A-1/14/05 (DV CU): Conversations
Spiderwomen Theater Final Versions Captioned for Exhibition - #1 (Master. For DVD Origins and Chutzpah): (1) Screening Room video. (2) "Origins" video. (3) "Chutzpah" video
Spiderwomen Theater Final Versions Captioned for Exhibition - #2 (Master. For DVD #1-4):
(1) "MOM (Medicine of Memory)" Video, (2) "Origins" Wallpaper - no slug, (3) Chutzpah Wallpaper - no slug, (4) MSM Wallpaper - no slug, (5) "Origins" Wallpaper - slug version, (6) "Chutzpah" Wallpaper - slug
Spiderwomen Theater Final Versions Captioned for Exhibition - #3 (Master): (1) "MOM" Wallpaper with SLUG, (2) Screening Room videos - Small caption
Spiderwomen Theater (DVCAM dupe from DV Original) - #1B (DVCAM Handheld camera): "The Caul," "Thank Me"
Spiderwomen Theater (DVCAM dupe from DV Original) - #2B (DVCAM Handheld camera): Boat Story and individual lines, Coming Out and CU Muriel, HAS and Gloria CU
Spiderwomen Theater (DVCAM dupe from DV Original) - #4B (DVCAM Handheld camera): Conversations (Living Room)
Spiderwomen Theater (MiniDV) - Screening Room Videos for Exhibition - 5/24/2005; TRT 23:01; Replaced earlier version
Spiderwomen Theater (MiniDV) - Medicine of Memory Video - 5/12/2005; TRT 5:45; No Captions
Spiderwomen Theater (MiniDV) - Production Clips: Reverberations (Seance story), The Pause That Refreshes (Lisa on piano), Power Pipes (Playing pipes and dancing), Trial of the Otter (video elements on white)
- Finding Aid encoded on: 3-27-2020
- Contact us at osiaref@si.edu