American photographer and environmentalist Ansel Adams once stated, "A photograph is usually looked at—seldom looked into." Though this may be true for most people, for sixteen years the Smithsonian Institution Archives has been fortunate to have one volunteer to look into, research, discover, and catalogue thousands of images.
Zoe Martindale first came to the Archives in 1997. Prior to retirement, Martindale read a Washington Post article about volunteer opportunities at the Smithsonian. She saved the article and when retirement came she promptly called the Smithsonian's volunteer office and applied for a position. The Smithsonian volunteer opportunities appealed to her because she thought it would give her a chance to "exercise her brain." Never one to stay idle, once accepted into the program Martindale scrolled through the hundreds of positions, looking for one that might be a good fit. She knew she did not want to be a docent, but was otherwise open to anything. When asked why the Archives position appealed to her, Martindale replied "I am not sure why the job stuck out to me, it just did."
Martindale came to the the Archives offices, then located in the Arts and Industries Building (a building which she loved to work in and explore), and interviewed for the position with Historian Pam Henson. Today she recalls with amusement that Henson told her she needed a volunteer who could stay at least a year or two, since the training was pretty involved. Over a decade later she is still at the Archives chipping away at her work.
As a historic image cataloguer, Martindale catalogs the images into a Smithsonian database, which allows them to be viewed on the Archives' website and the Smithsonian's Collection Search Center. For each image, Martindale enters the physical and digital descriptions and locations, along with a summary and index terms. She loves to "find out information about the image, and elaborate on the brief descriptions that she is given." She also works diligently to come up with index terms so that people can easily find the images in search engines.
When an image first comes across her desk, Martindale "always questions what the image is showing and always feels that there is more information to find and more context to add." Information is "not just about the image itself, but the people, places and topics, that the image touches on." She looks at the image from the point of view of the public, and asks, "why is it important and where does it fit into the Smithsonian story?"
For Martindale it is "important to notice the small things," to differentiate one image from another. In fact she has helped determine dates by finding small details that others have missed. Martindale can look at an image that looks similar to a different image, but find there are differences to tell them apart. When asked how she acquired this skill, she replied, "I am not sure why I can pick it out, it just comes to me." The other invaluable skill Martindale possesses is her ability to remember every image she has come across. She commented, "I don't necessarily remember the content information and details, but I can look at a picture and remember if I cataloged it or an image that is similar to it." This allows her to connect images to others found in different collections that might otherwise have remained separate.
Prior to working at the Archives, Martindale never worked with images before. She always loved looking at photographs, but never pursued photography herself. Martindale said, "I am bad at taking pictures because I cut people out of them accidently." However, she is always amazed to see what people can see in images. "I am always interested in what people see and pick out, because I can pick the picture apart."
And the more to pick out the better. When asked what her favorite images are, Martindale replied, "I really like researching the scenes of Washington, DC, love the images of the history of the buildings. People images are not always very interesting, but I really like the buildings, and the changing face of the National Mall." She loves "images with multiple elements in the foreground, background, sides, and pointing those out to the public." But it is the mystery of each picture that brings her back for more each week. She sometimes goes home and mulls over the wording of the descriptions to make sure her summaries come across clear, so that people not only find it, but find it interesting.
Martindale sometimes becomes overwhelmed with the amount of images there are to describe. She can spend hours on one picture to try and identify things about the image, but likes that she will never run out of work. Martindale stated, "I have seen how the cataloging standards have changed and wish I could go back and improve some of the others, but I have so many new entries to do." She is still amazed though at how much she has learned about the Smithsonian and that it is much more than just the museums.
Martindale has become a great asset not just to the staff but to the research fellows, interns, and fellow volunteers. She constantly helps others with the images that she has cataloged, and likes to share her knowledge. Even after thousands of images, Martindale still gets excited when her images go live online. She loves sharing the things she has uncovered. When asked about the job Martindale simply stated, "some people might look at it as a boring job, but I love it."
- Historic Pictures of the Smithsonian, Smithsonian Institution Archives