The Bigger Picture: Visual Archives and the Smithsonian
Posts tagged with: Artist
- Digital images and prints aside - The art of the collotype is a fading process that remains the best way to duplicate artwork and historic documents. [via Open Culture]
- For the love of the ledger book - Delving into the 900 pages within the ledgers of merchant William Ramsay which detail the mercantile activity in the town of Alexandria, Virginia, from 1753 to 1756. [via O Say Can You See? blog, NMAH]
- Comming soon most papers authored by Smithsonian staff and affiliates will be made available to the public at no charge, while some will be available after an embargo period. [via Unbound blog, SL]
- Some video guides to understanding how JPEGs deal with color and compression. [via PetaPixel]
- Now available: ARSC Guide to Audio Preservation, Copublished by the Association for Recorded Sound Collections, the Council on Library and Information Resources, and The Library of Congress. [via CLIR]
- The search for the perfect marigold. [via Smithsonian Gardens blog]
- Making a splash! - A behind-the-scenes look at the National Museum of Natural History ocean-related collections and their importance to research and discovery. [via Ocean Portal, NMNH]
- At the Archives we like boxes, boxes to hold manuscripts, boxes to hold prints and drawings, boxes we've got. That's why the video below of custom boxes being made is special to us. [via Core77]
- And now you see it - The oldest microscope at the National Museum of American History. [via O Say Can You See? blog, NMAH]
- A previously misfiled fossil leads to the revelation that the prehistoric reptile, known as a mosasaur, gave birth in the open ocean rather then lay eggs. [via Smithsonian Science News]
- From the Archives of American Art - A look at how the life and work of artist Miné Okubo was affected by being detained in the Topaz internment camp in Utah during World War II. [via Archives of American Art Blog]
- It's official - It was announced this week that President Barack Obama's Presidential Library will be located in Chicago. [via InfoDocket]
- Happy 50th Anniversary to the Smithsonian Environmental Research Center! This Saturday, May 16, they are hosting an open house at their location in Edgewater, Maryland. [via SERC]
- There's an app for that - Yale University released an app that builds on the Map of Life’s integrated global database of everything from bumblebees to trees, which tells users which species are likely to be found in their vicinity. [via Yale News]
- Congratulations to the University of Pennsylvania who recently acquired a copy of Jacques Barbeu-Dubourg’s Petit Code de la raison humaine, a book printed in France by Benjamin Franklin in 1782. One of only four known surviving copies, its acquisition by Penn adds to its collection of more than 330 works printed by Franklin. [via InfoDocket]
- New from the National Museum of African Art - Its first graphic novel, The Song of Lionogo, which is based on a Swahili mythological figure from East Africa and was inspired by the cultural connections between the Arabian Peninsula and the Indian Ocean. [via NMAfA]
With a hint of spring finally in the air, my thoughts turn to the sights, sounds and smells of trees in bloom and birds nesting. I look forward to a beautiful day in May when I can walk through a nearby nature preserve and see delicate blossoms hiding among the leaf litter. These wild flowers have not been bred to last in a vase; they appear and disappear quickly, attracting insect pollinators and fading away when that task is done. What does it take to paint a wild flower that blooms for a single day in a deep forest? For Mary Morris Vaux (1860-1940), a young Quaker woman who accompanied her family fossil hunting in the Rockies most summers, you pull out your paint box to sketch and paint with water colors for 17 hours to capture the shape, movement, and colors of the delicate petals and leaves. Back at camp, comfortably ensconced on a tree stump, she would produce a more final version. She also became quite skilled at photographing them as reference for her art work.
Mary Morris Vaux was born into a well-to-do Quaker family in Philadelphia and attended the Friends School. She planned to enroll in Bryn Mawr College, but when her mother died, she stayed home to care for her father and brothers, as was expected of 19th century young women. The family spent vacations in Canadian Rockies, so her father could pursue his amateur interest in geology. Mary brought her sketching pads and watercolors so she could capture the beautiful wild flowers she found along the trails. Botany and drawing were considered very appropriate avocations for educated young women, although most sat in their gardens rather than scale peaks and cross glaciers. Mary was far more adventurous – in 1913, she climbed Mount Robson, the highest peak in the British Columbia Rockies. Mount Mary Vaux, some 10,881 feet high, was named in her honor. Despite those adventures, her life was fairly circumscribed, centered around family and church.
That same year as she scaled Mount Robson, she embarked upon quite a different adventure. She told her father she planned to marry a paleontologist they had met in the Rockies. Her father rejected the notion summarily and refused to attend the wedding. He was very fond of his 53 year old unmarried daughter, who had cared for him lovingly since her mother died. He also did not much care for the fellow she intended to marry – Charles Doolittle Walcott (1850-1927) paleontologist and Secretary of the Smithsonian. He regarded Walcott as something of a gold-digger and he was not a Quaker. At 64 years, Walcott had been widowed twice and had four children. Walcott's family was no happier about the wedding. His daughter Helen had cared for her father and brothers after her mother died and did not want an interloper taking her place.
Despite the negative response of their families, Mary and Charles married and shared many happy years, based on their mutual love of natural history exploration. Mary Walcott quickly became part of the Smithsonian family and the Quaker community in Washington. In the 1920s, when her husband launched a fund-raising campaign, Mary Walcott found a way to contribute. She published a five volume set of her drawings of North American wild flowers, between 1925 and 1928, with proceeds going to the Smithsonian's endowment. Her beautiful and accurate drawings have been displayed in exhibits and republished several times since then. In 2014, the Smithsonian Institution Press with Smithsonian Institution Libraries reprinted a selection of them in a single volume. It is nice to know that I can browse through them in the chill of winter and look forward to that sunny spring day when they will reappear at a pond's edge or in a mountain glen.
- Mary Vaux Walcott, Artist, Smithsonian American Art Museum artist database
- Charles Doolittle Walcott, Smithsonian Secretary, Institutional History Division, Smithsonian Institution Archives
- Mary M. Vaux, a picture journal, The Palaeontological Society and Royal Museum of Ontario
- Accession 92-006 - Mary Vaux Walcott, North American Wildflowers Prints, 1925, Smithsonian Institution Archives
- Bring books to the people - A 1979 Ford Falcon is transformed into a weapon of mass instruction. [via Open Culture]
- A different kinds of library - A Materials Library at the University College London holds a collection of almost 3000 items from baby teeth to aerogel. [via Motherboard]
- The British Library has created some videos to help being attention to online privacy. [via InfoDocket]
- On exhibit at The Prado Museum is the first art exhibition created for the visually impaired using 3D printing. [via Open Culture]
- Catalog cards are turned into art by painter Vicki Moore. [via Minnesota Public Radio News]
- Amazing facts about about amazing women science pioneers and the books you can read about them from the New York Public Library. [via NYPL blog]
- Here's a look at how colorizer Dana Keller brings historical photos to life with colorization. [via PetaPixel]