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The Bigger Picture: Visual Archives and the Smithsonian

Sinclair and Son

by Mary Markey on January 13, 2011

Letter from Sinclair & Son to Charles D. Walcott. Credit: Smithsonian Institution Archives, Record Unit 7004, Box 1 Folder 1.

2.	Dolly Varden, words by Frank W. Green ; music by Alfred Lee. Philadelphia : Lee & Walker, between 1872 and 1875. T. Sinclair & Son Lith. Credit: University of Pennsylvania Special Collections Library, Keffer Collection of Sheet Music. Here’s another great letterhead from the collections of the Smithsonian Institution Archives. This one is from Sinclair & Son, a prominent Philadelphia lithographer since the 1830s. Some representative copies of the sheet music they printed can be found at the University of Pennsylvania. Back to the letterhead—in the large graphic, an artist contemplates a phantasmagorical ancient skeleton with two sets of tusks and front paws attached to its thighs. (Readers of a certain age will be reminded of Howdy Doody’s sidekick, Flub-a-Dub) Below, a vignette reveals the artist’s recreation—a peevish elephantine creature with upside down tusks, a double trunk, and what look like architectural elements sprouting from its head!

Detail of Letter from Sinclair & Son to Charles D. Walcott (click to enlarge), Smithsonian Institution Archives, Record Unit 7004, Box 1 Folder 1. The letter was written in 1881 to Charles Walcott, the brilliant geologist who would become Secretary of the Smithsonian in 1907. Sinclair & Son was working on one of Walcott’s early publications.

In 1909, while in the Canadian Rockies near Field, British Columbia, Charles Doolittle Walcott (1850-1927) discovered what has come to be known as the Burgess Shale, This image shows Walcott, his son Sidney Stevens Walcott (1892-1977), and his daughter Helen Breese Walcott (1894-1965) working in the Burgess Shale Fossil Quarry, c. 1913, Smithsonian Institution Archives, Record Unit 7004, box 44, folder 10. Image No. SIA2008-1906. As well as the wonderful graphics, the letterhead presents a little mystery—doesn’t the illustration seem oddly specialized for a company serving a wide range of clients? Wouldn’t a lithographer at work be a choice with more universal appeal?  This makes me wonder—did the Sinclair & Son produce custom letterheads for correspondence with important clients? And did Walcott fall of his chair laughing when he saw what they’d conjured up for him?

Categories: Collections in Focus
Tags: American History, Archive
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Comments (2) – Leave a comment

delia

are amazing!

delia January 13, 2011 at 11:47 am
  • reply
Scott

Beautiful....and likely the latter,

Scott January 13, 2011 at 3:14 pm
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