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The Bigger Picture: Visual Archives and the Smithsonian

No We Can't

by Marvin Heiferman on December 16, 2009

Singapore- no camera, courtesy of Flickr user Daniel Lih, Creative Commons: Attribution 2.0.

 

In a recent piece for click! photography changes everything, imaging analyst Steve Hoffenberg estimates that in 2008, close to 500 billion photos were taken with digital and cell phone cameras. That number is astonishing, and while it suggests that photographs are being made all the time and everywhere, it’s not always the case; there are many places where—rightly or wrongly—photography is not allowed. In a recent post on the Guardian’s website in Great Britain (the country known for having the world’s highest security-camera-to-citizen ratio), Henry Porter catalogs numerous instances of people being stopped from taking pictures because of “terror legislation”: tourists prevented from snapping pictures of cathedrals, a BBC photographer stopped from shooting scripted background shots for a TV show, a “suspiciously tall” man questioned for photographing in a fish restaurant. As Porter sees it, it’s not simply that the rights of professional photographers, journalists, and amateurs are being infringed upon. The bigger issue is our freedom in, and the ownership of, public space. In the US, similar and a few more idiosyncratically American circumstances suggest that picture taking may dunk you in legal hot water. It’s only in the past few months that the media has been given access to photograph the returning coffins of soldiers who’ve been slain overseas. In post 9/11 New York City, people taking pictures are often stopped by police from taking pictures on the subways, even though it is absolutely legal. “No photos” restrictions are put in place for reasons that are ideological, commercial, practical, and sometimes just paranoid. Sometimes public photography is encouraged, allowed with restrictions, or simply banned and in certain museums. (To see the Smithsonian’s photo policy, click here). In one clever example of appropriation earlier this year, New York’s Metropolitan Museum created an ad campaign, “It’s Time We Met,” that features visitors digital images made in the museum’s galleries.

 

Stop Now, by Flickr user karpidis, Creative Commons: Attribution 2.0. You might not be aware of it, I wasn’t, but we’re not supposed to take pictures in IKEA, Trader Joe’s, and at some public pools, parks, and beaches (Link removed as no longer available.). And in looking around online, one of the more curious blog posts I came across, was  a kind of get-even visual catalog of “illicit photographs” illustrating what looks like the full menu of a new LA restaurant, where the management made a point of telling patrons that it was not only wrong to photograph the edibles, but that the trendy restaurant’s Philippe Starcke-designed interiors were off limits, too. Search for “arrested for photographing” on Google, and you’ll comes up with over a quarter of a million entries, including the one about parents arrested for photographing their very young children holding handguns. As smaller-and-smaller and easier-to-use cameras proliferate, and as more and more security cameras are pointed our way, issues around who and what we can and cannot picture will keep growing. It’s definitely, as the expression goes, something worth keeping an eye on.

Categories: What Gets Saved
Tags: American History, click! photography changes everything, Advertising, Photo History, Ethics
Comments: View 7 comments, or Give us yours!
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Comments (7) – Leave a comment

karpidis

Thank you for the attribution

karpidis December 21, 2009 at 1:36 pm
  • reply
James Godman

Thanks for getting this information out there about this interesting phenomenon.

James Godman December 21, 2009 at 5:49 pm
  • reply
Marvin Heiferman

Sure and let us know of other instances you've encounted where photography is off limits.

Marvin Heiferman December 22, 2009 at 1:13 pm
  • reply
Catherine Shteynberg, Smithsonian Photography Initiative

Paul Lewis at the Guardian has also been writing quite a few stories on this issue lately.

As an aside, I thought this story of a band using the myriad CCTVs in Manchester to record a music video was an amusing turnabout of the surveillance issue.

Catherine Shteynberg, Smithsonian Photography Initiative December 29, 2009 at 1:08 pm
  • reply
Marvin Heiferman

Interesting to see how dilligently Paul Lewis is investigating the story. And while the link to the Get Out Clause music video doesn't seem to be working in the link to the story in the London Telegraph, here's a YouTube link that shows how the band beat the high price of cinematography by using surveillance tapes of their street performances: http://www.youtube.com/watch?v=mqxYlvjIEw4

Marvin Heiferman December 29, 2009 at 7:50 pm
  • reply
Jen Rae

It's interesting, and very sad, to know that this is happening all over. My sister and I recently got banned, (not just kicked out, but BANNED) from a graveyard we had been shooting pictures in for 10 years.

Jen Rae August 4, 2010 at 11:32 pm
  • reply
Marvin Heiferman

Where? And why? Was it a public or a private space? And what reasons were given?

Marvin Heiferman August 9, 2010 at 10:31 am
  • reply

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