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The Bigger Picture: Visual Archives and the Smithsonian

Made You Look!!!

by Marvin Heiferman on July 8, 2010

Advertisement on Fifth Avenue in New York City, 2010, Photo courtesy of Marvin Heiferman.

You’ve probably noticed, in recent years, that in order to attract shoppers’ attention retail establishments have been filling both exterior and interior display spaces with big, colorful, and evocative photographic images. At venues as diverse as Abercrombie & Fitch, CVS, and the big box stores, slickly produced lifestyle photographs—of rippling abs, shiny tomatoes, sexy digital things, and smiley senior citizens—are installed and replaced often in order to catch your eye and seduce you into purchasing what you may or may not really need. In exploring how photography changes everything, and specifically the way we shop, we invited Paco Underhill, an expert in shopping behavior and merchandising, to shed some historical light on how visual displays get us into stores and move us through them.

In his piece for click!, Underhill reminds us that whether you’re in the medina in Marrakesh or trekking through the Mall of America, eye-catching presentations of goods are critical to commercial culture’s success. Today, it’s changing photo printing technology that’s making it easier and more cost-effective for retailers to communicate with and ensnare us. During much of the twentieth century, photographic images played a central and simpler role in print advertising, introducing new products and helping differentiate one brand from the next. Now, photography’s powers can be exploited in more sophisticated and subtle ways, and on a more spectacular scale. We walk by, between, or through images that create an through-the-looking-glass kind of experience in which we literally start to feel part of a picture-perfect world that results from buying the right thing.

It may seem as if photographic images have already overtaken retail real estate. They’re in display windows and on packaging. Banners dangle in atriums and over escalators. Decals are stuck to freezer doors and on linoleum floors. And yet, there’s always room for more. A few weeks ago, a company called Automated Media Sevices announced the introduction of 3GTv Networks™, a retail game-changer they claim will not only speed up the installation of multiple television monitors in retail environments, but will finally allow media agencies to buy and monitor advertising time in stores, much like they do on network and cable TV. Forget the forlorn and poorly programmed flat screen you may have seen hovering over the vegetables and a supermarket or two. In tests at nine supermarkets in Maryland and Virginia this summer, monitors of various shapes and sizes, will be attached to shelves and suspended over the aisles. As AMS describes it on their website, “art and science converge as experts from the fields of micro-electronic engineering, mechanical engineering, television metrics and analysis, retail marketing services, and graphics design collaborate to improve the television-advertising platform to create the 21st century form of television.” For a more user friendly, cartoon version of their pitch, watch below. Happy shopping!

Categories: Behind the Scenes
Tags: click! photography changes everything, Advertising, Contemporary Photography
Comments: View 3 comments, or Give us yours!
All comments are moderated and subject to approval. Further information is available in The Bigger Picture’s Commenting Guidelines.

Comments (3) – Leave a comment

Sarah Stauderman

Especially with regard to the 3GTV promotion, I'm intrigued by the notion that photographs can be mathematically converted into part of an equation that delivers "large plannable audiences." It seems to me that there's an idea that everything can be reduced to a formula (and maybe everything can be measured this way, I don't know); should photograph collections be prepared for their contents to be viewed through the lens of a certain x(content) x y(medium) [*format/era] = deliverable? Where does this formula exist, and how can I, as a manager of these collections, start to add these fields to an already burgeoning metadata list.

Sarah Stauderman July 17, 2010 at 8:24 am
  • reply
Sean Davis

As an advertising photographer I can relate with trying to create a unique image for a desensitized world, and can predict with reasonable certainty that advertising will recoil from its abuse of the photographic mural. For example, here in Costa Rica the American tourists seem to respond more favorably to hand painted signs, painted renderings and simple flyers. I believe that they are sensitive to these "primitive" form of advertising. On a recent trip to Cuba, I was entranced by the lack of advertising and the use of basic and beautiful sign painting, a medium long since lost in the Western world. Frankly, I could not stop photographing the propaganda in Cuba, it is just so "organic" looking. One of the really stunning aspects of the third world is the lack of professional advertising. I believe that in the near future the Western world will tire of these huge photographic murals of advertisements, and as such they will lose their effect and disappear. It is such a shame that we have lost our urban environment to advertising, we need a return to the concept of a public place where we aren't being sold something with every passing glance. Thanks for the article, this is an interesting blog.

Sean Davis July 20, 2010 at 12:15 am
  • reply
Marvin Heiferman

I think that what Sara and Sean are responding to (with a mix of awe and weariness) is the corporate world’s shrewd and calculated use of commercial images to shape desire, behavior, and public space. The continuing spread and exploitation of marketing imagery is a reminder of how intent, relentless, well-researched and (some of the time) creative marketers have to be if their goal is to grab and profit from attention. What never fails to amaze me is the power of visual culture, and of some photographic images in particular, to send our eyes, brains, and psyches into overdrive. Maybe all of us, and not just the ad-agency honchos and marketing experts, should be devoting more time and energy to studying and analyzing what it is that makes images so useful and powerful.

Marvin Heiferman July 21, 2010 at 12:33 pm
  • reply

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