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The Bigger Picture: Visual Archives and the Smithsonian

Link Love: 7/29/2011

by Catherine Shteynberg on July 29, 2011

Donors Dadie and Norman Perlov in front of the celluloid exhibit at the National Museum of American History (NMAH), Courtesy of NMAH’s O Say Can You See Blog.

  • An important part of the museum story that we often forget: how the objects got there in the first place. Donors’ stories often reveal the fascinating and complicated path that object take before they come into the Smithsonian’s collections. Here’s a great read on a family who collected celluloid (plastic) souvenirs, jewelry, products, and knick-knacks, that now reside at the Smithsonian’s National Museum of American History.
  • After three years of preparation and development, the European Film Gateway (EFG)—which offers free access to currently about 400,000 digital videos, photos, film posters, and text materials from European film archives—is now online [via Museum Media].
  • Pam Henson, the Smithsonian Historian here at the Archives, has curated More Than Meets the Eye—an exhibit on how scientists at the National Museum of Natural History are using advanced imaging techniques to add value to their research.
  • The Museum of the City of New York now offers more than 62,000 photographs of New York City from their photo archives, arranged in a beautiful array by borough, on their online collections portal. I definitely just whiled away some time browsing through this… [via British Photo History].
  • We love it when you share what you're up to in the Archives with us! A big thanks to Clarissa Ceglio for all of her Twitter updates this week on her research at Smithsonian Institution Archives.
  • The Smithsonian Collections Search Center (where the majority of the digitized collections from across the Smithsonian can be searched) has introduced visitor tagging! So come over to browse and help us tag. We’re excited to see how this feature makes searches easier for you (and for us).
  • The National Archives talks about conserving the Magna Carta, stabilizing the document and using ultraviolet light to reveal obliterated text in damaged areas, in a blog post and in the video below:

 

“Magna Carta Conservation Treatment,” Courtesy of the National Archives YouTube channel.

 

Categories: What Gets Saved
Tags: American History, Science, Exhibitions, Archive, Photo History, Film/Video, Conservation
Comments: View 5 comments, or Give us yours!
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Comments (5) – Leave a comment

Michele

Very interesting article, especially how things end up in the museum- It makes me wonder if there is a place and(value) for almost everything if we look in the right place and make the right presentation. I am interested in the Record-a-thon now that I understand its about languages not records. I'm curious if there is any Creole spoken in the area and whether Sign Language,and Ebonics will be included.

Michele July 30, 2011 at 1:07 pm
  • reply
Catherine Shteynberg

As a last minute addition, I just wanted to mention the Rosetta Project's Record-a-thon, taking place tomorrow at The Internet Archive in San Francisco (http://rosettaproject.org/record-a-thon/), in which they will try and record some of the more than 50 languages spoken in the Bay Area for their language documentation project. Read more at the NY Times as well: http://www.nytimes.com/2011/07/29/us/29bcculture.html?_r=3

Catherine Shteynberg July 29, 2011 at 1:56 pm
  • reply
Maureen

Fun piece on the Perlovs. Thank you for the other great links, too.

Maureen July 29, 2011 at 9:03 am
  • reply
Catherine Shteynberg

Hi Michele- Glad you enjoyed the article on the Perlov's collection. Context and fit, are central to where collections can have the most impact, and arguments about what is "worth" saving/collecting/displaying have been at the heart of museums since their inception. I think it's one of the most interesting issues surrounding museums myself. I haven't seen a summary of the Record-a-thon yet, but you can check out some of the live coverage from the event here: http://rosettaproject.org/record-a-thon/cover-it-live/ Also, while I don't know yet if Creole, Sign Language,and Ebonics were included in the Record-a-thon, Creole (at least Haitian Creole), is definitely spoken in the Bay Area. Catherine Smithsonian Institution Archives

Catherine Shteynberg August 1, 2011 at 9:25 am
  • reply
John

As an artist myself, it is wonderful to see an article about where these works are obtained. Sometimes the story behind the pieces are just as interesting as the piece itself.

John August 5, 2011 at 11:47 am
  • reply

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